1839 1840 1841 1842 1843 1844 1845 1846 1847 1848 1849
1850 1851 1852 1853 1854 1855 1856 1857 1858 1859 1860
1861 1862 1863 1864 1865 1866 1867 1868 1869 1870 1871
1872 1873 1874 1875 1876 1877 1878 1879 1880 1881 1882
1883 1884 1885 1886 1887 1888 1889 1890 1891 1892 1893
1894 1895 1896 1897 1898 1899 1900 1901 1902 1903 1904
1905 1906 1907 1908 1909 1910 1911 1912 1913 1914 1915
1916 1917 1918 1919 1920 1921 1922 1923 1924 1925 1926
1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937
1938 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948
1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959
1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970
1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981
1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992
1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003
2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014

PhV	19th Century Itinerant Photographers
PhV	19th Century Photographic Studios: Backgrounds
PhV	19th Century Photographic Studios: Exteriors
PhV	19th Century Photographic Studios: Marketing
PhV	19th Century Photographic Studios: Properties, accessories and novelties
PhV	19th Century Post-mortem photography and memento mori
PhV	American Civil War (1861-1865)
PhV	Children in 19th Century Photography
PhV	Fashion: 19th Century - Dating - Children
PhV	Fashion: 19th Century - Dating - Gentlemen
PhV	Fashion: 19th Century - Dating - Mixed
PhV	Introduction to 19th Century photograph types
PhV	Jules Verne: Around the World in Eighty Days - What would Phileas Fogg and Passepartout have seen?
PhV	Painting on photographs: A 19th Century perspective
PhV	Photographic Amusements
PhV	Smoking, cigarettes and cigars
PhV	Stereo images
PhV	Stereo images: Storage and display
PhV	Talk: Introduction to 19th Century photograph types
PhV	Talk: Prepared to take LIKENESSES
PhV	Tintypes

PhV	1860-1880 - Jules Verne: Around the World in Eighty Days - What would Phileas Fogg and Passepartout have seen in 1872?
PhV	Agricultural and pastoral - Landscape: Agricultural
PhV	Allegorical photography - Allegorical photography
PhV	American Civil War (1861-1865) - Reasons for the popularity of the tintype during the American Civil War (1861-1865)
PhV	American Civil War (1861-1865) - Soldiers of the American Civil War (1861-1865)
PhV	American Civil War (1861-1865) - The Photographic History of the Civil War
PhV	Babies - Introduction to babies
PhV	Babies - Post-mortem and memento mori photographs of babies and children
PhV	Backgrounds and foregrounds - Backgrounds used in nineteenth century photographic studios
PhV	Backgrounds and foregrounds - Backgrounds: Landscapes
PhV	Backgrounds and foregrounds - Backgrounds: Transportation
PhV	Backgrounds and foregrounds - Foregrounds
PhV	Backgrounds and foregrounds - Studio backgrounds and foregrounds: Boats
PhV	Backgrounds and foregrounds - Studio backgrounds and foregrounds: Carts
PhV	Backgrounds and foregrounds - Tintypes: Backgrounds and foregrounds
PhV	Backgrounds and foregrounds - Water as an element in studio backgrounds and foregrounds
PhV	Boats, canoes and kayaks - Studio backgrounds and foregrounds: Boats
PhV	Bon Tons - Bon Tons: Advertising
PhV	Bon Tons - W.H. Pearce: The Forest Home & Algonquin Bon Ton Tent
PhV	Chairs and sofas - Props, accessories and novelties: Chairs
PhV	Charity - Fraternal organisations
PhV	Children - Children in nineteenth century photography
PhV	Children - Post-mortem and memento mori photographs of babies and children
PhV	Children - The "helping hand", "hidden mother" and "hidden father" portraits
PhV	China - Chinese
PhV	Colour - Introduction to hand-painted photographs
PhV	Composition - Backgrounds: Transportation
PhV	Composition - Foregrounds
PhV	Consumables - Smoking, cigarettes, cigars, pipes and hookahs
PhV	Copying photographs and copyists - Copying photographs and copyists
PhV	Dead - Nineteenth century post-mortem and memento mori
PhV	Dead - Post-mortem and memento mori photographs of babies and children
PhV	Death, post-mortem, memorial portraiture and memento mori - Nineteenth century post-mortem and memento mori
PhV	Death, post-mortem, memorial portraiture and memento mori - Post-mortem and memento mori photographs of babies and children
PhV	Death, post-mortem, memorial portraiture and memento mori - Tintypes: Post-mortem portraits
PhV	En plein air - Marketing: En plein air
PhV	Expeditions and exploration - Jules Verne: Around the World in Eighty Days - What would Phileas Fogg and Passepartout have seen in 1872?
PhV	Experimental and manipulated photography - Crayon daguerreotypes and vignettes
PhV	Experimental and manipulated photography - Photo caricatures
PhV	Exteriors of photographic studios - Illustrations of the exteriors of nineteenth century photographic shops and studios
PhV	Fashion - Headwear
PhV	Floods - Floods
PhV	Hand-painted photographs - Introduction to hand-painted photographs
PhV	Hand-painted photographs - Painted tintypes
PhV	Hands - Parts of the body: Hands
PhV	Hands - The "helping hand", "hidden mother" and "hidden father" portraits
PhV	History of photography - Process and product
PhV	Humour - Photo caricatures
PhV	Interiors of photographic studios - Backgrounds used in nineteenth century photographic studios
PhV	Interiors of photographic studios - The "helping hand", "hidden mother" and "hidden father" portraits
PhV	Itinerant photographers - Introduction to itinerant photographers and showmen
PhV	Itinerant photographers - Studios in tents
PhV	Jules Verne: Around the World in Eighty Days - Chinese
PhV	Jules Verne: Around the World in Eighty Days - Jules Verne: Around the World in Eighty Days - What would Phileas Fogg and Passepartout have seen in 1872?
PhV	Land transportation - Studio backgrounds and foregrounds: Carts
PhV	Leisure - Leisure: Reading
PhV	Leisure - Tintypes: Leisure
PhV	Literature - Jules Verne: Around the World in Eighty Days - What would Phileas Fogg and Passepartout have seen in 1872?
PhV	Literature - Using photographs to illustrate narratives: Shakespearean
PhV	Marketing - Illustrations of the exteriors of nineteenth century photographic shops and studios
PhV	Marketing - Marketing: En plein air
PhV	Memory - The defacing and destruction of portraits
PhV	Military - Reasons for the popularity of the tintype during the American Civil War (1861-1865)
PhV	Military - Soldiers of the American Civil War (1861-1865)
PhV	Military - Tintypes: Military
PhV	Mobile studios - Studios in tents
PhV	Narratives - Using photographs to illustrate narratives: Shakespearean
PhV	Occupational - Blacksmiths
PhV	Occupational - Firemen
PhV	Occupations and roles - Tintypes: Occupationals
PhV	Painting on photographs - Painted tintypes
PhV	Photograph frames and easels - Frame makers and sellers
PhV	Photograph frames and easels - Photograph frames
PhV	Photograph frames and easels - Photograph frames, easels, framing supplies and framers
PhV	Photographers - Photographs of people taking photographs
PhV	Photographic studios - Illustrations of the exteriors of nineteenth century photographic shops and studios
PhV	Portrait - The "helping hand", "hidden mother" and "hidden father" portraits
PhV	Portrait - The defacing and destruction of portraits
PhV	Portrait - Tintypes: Portraits
PhV	Pre-Raphaelite - Using photographs to illustrate narratives: Shakespearean
PhV	Process and product - Process and product
PhV	Props - Props, accessories and novelties: Chairs
PhV	Social life of photographs - Introduction to pricing
PhV	Social life of photographs - Photograph frames
PhV	Sports - Boxing
PhV	Sports - Fencing
PhV	Sports and pastimes - Introduction to sports and pastimes
PhV	Sports and pastimes - Leisure: Reading
PhV	Stereoscopes - Stereoscopes: Holmes-Bates
PhV	Stereoscopes - Stereoscopes: Mascher
PhV	Stereoviews, stereographs and stereocards - Different types of stereo images
PhV	Stereoviews, stereographs and stereocards - Stereo tintypes
PhV	Storage and display - Photograph frames
PhV	Studio necessities - Backgrounds used in nineteenth century photographic studios
PhV	Techniques - Process and product
PhV	Tents - Studios in tents
PhV	Tintypes - Bon Tons: Advertising
PhV	Tintypes - Neff plates
PhV	Tintypes - Painted tintypes
PhV	Tintypes - Paper sleeves and card mounts for tintypes
PhV	Tintypes - Reasons for the popularity of the tintype during the American Civil War (1861-1865)
PhV	Tintypes - Stereo tintypes
PhV	Tintypes - Tintype preservers
PhV	Tintypes - Tintypes: Backgrounds and foregrounds
PhV	Tintypes - Tintypes: Examples
PhV	Tintypes - Tintypes: Leisure
PhV	Tintypes - Tintypes: Military
PhV	Tintypes - Tintypes: Objects
PhV	Tintypes - Tintypes: Occupationals
PhV	Tintypes - Tintypes: Photographers
PhV	Tintypes - Tintypes: Photographic studios
PhV	Tintypes - Tintypes: Photographica
PhV	Tintypes - Tintypes: Portraits
PhV	Tintypes - W.H. Pearce: The Forest Home & Algonquin Bon Ton Tent
PhV	Transportation - Backgrounds: Transportation
PhV	Travel - Jules Verne: Around the World in Eighty Days - What would Phileas Fogg and Passepartout have seen in 1872?
PhV	Viewers - Stereoscopes: Holmes-Bates
PhV	Viewers - Stereoscopes: Mascher
PhV	Wagons, carts, carriages and buggies - Studio backgrounds and foregrounds: Carts
PhV	Water and waterfalls - Water as an element in studio backgrounds and foregrounds
PhV	Water transportation - Studio backgrounds and foregrounds: Boats