| Context to the Forest of Fontainebleau |
| 954.01 | Fontainebleau, Barbizon - the relationships between painters and photographers |
| 954.02 | Fontainebleau from the air |
| 954.03 | Thomas Seddon on protecting the Forests of Fontainebleau (1850) |
| 954.04 | Preserving paint in collapsible tubes |
| Similarities between paintings and photographs |
| 954.05 | Paintings of the Forests of Fontainebleau |
| 954.06 | Photographs of the Forests of Fontainebleau |
| Case studies |
| 954.07 | Paintings and prints based upon paintings or vice versa - The road to Chailly (Forests of Fontainebleau) |
| 954.08 | Paintings and prints based upon paintings or vice versa - The Bodmer Oak (Forests of Fontainebleau) |
| Photographers in the Forest of Fontainebleau |
| 954.09 | Eugène Cuvelier: France: Forest of Fontainebleau |
| 954.10 | William Drooke Harrison: France: Forest of Fontainebleau |
| 954.11 | Gustave Le Gray: France: Forest of Fontainebleau |
| 954.12 | Constant Alexandre Famin: The Forest of Fontainebleau |
| 954.13 | L. Delaroche: Forest of Fontainebleau |
| 954.14 | Eugène Atget: Forest of Fontainebleau |
| 954.15 | Herb Ascherman: Forest of Fontainebleau |
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