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Henry Fox Talbot 
The Tower of Lacock Abbey 
[The Pencil of Nature, Part 5, pl. 19] 
1844 (published) 
Hans P. Kraus, Jr., Inc. 
Taken from the reproductions in Larry J. Schaaf, H. Fox Talbot's The Pencil of Nature; Anniversary Facsimile (New York: Hans P. Kraus, Jr. Inc., 1989). The originals selected for this publication were the best single examples available for each plate. Not to be reproduced without permission of H.P. Kraus, Jr. 
The upper part of the tower is believed to be of Queen Elizabeth's time, but the lower part is probably coeval with the first foundation of the abbey, in the reign of Henry III.
The tower contains three apartments, one in each story. In the central one, which is used as a muniment room, there is preserved an invaluable curiosity, an original copy of the Magna Charta of King Henry III. It appears that a copy of this Great Charter was sent to the sheriffs of all the counties in England. The illustrious Ela, Countess of Salisbury, was at that time sheriff of Wiltshire (at least so tradition confidently avers), and this was the copy transmitted to her, and carefully preserved ever since her days in the abbey which she founded about four years after the date of this Great Charter.
Of the Magna Charta of King John several copies are still extant; but only two copies are known to exist of the Charter of his successor Henry III, which bears date only ten years after that of Runnymede. One of these copies, which is preserved in the north of England, is defaced and wholly illegible; but the copy preserved at Lacock Abbey is perfectly clear and legible throughout, and has a seal of green wax appended to it, inclosed in a small bag of coloured silk, which six centuries have faded.
The Lacock copy is therefore the only authority from which the text of this Great Charter can be correctly known; and from this copy it was printed by Blackstone, as he himself informs us.
From the top of the tower there is an extensive view, especially towards the South, where the eye ranges as far as Alfred's Tower, in the park of Stour-head, about twenty-three miles distant.
From the parapet wall of this building, three centuries ago, Olive Sherington, the heiress of Lacock, threw herself into the arms of her lover, a gallant gentleman of Worcestershire, John Talbot, a kinsman of the Earl of Shrewsbury. He was felled to the earth by the blow, and for a time lay lifeless, while the lady only wounded or broke her finger. Upon this, Sir Henry Sherington, her father, relented, and shortly after consented to their marriage, giving as a reason "the step which his daughter had taken."
Unwritten tradition in many families has preserved ancient stories which border on the marvellous, and it may have embellished the tale of this lover's leap by an incident belonging to another age. For I doubt the story of the broken finger, or at least that Olive was its rightful owner. Who can tell what tragic scenes may not have passed within these walls during the thirteenth and fourteenth centuries? The spectre of a nun with a bleeding finger long haunted the precincts of the abbey, and has been seen by many in former times, though I believe that her unquiet spirit is at length at rest. And I think the tale of Olive has borrowed this incident from that of a frail sister of earlier days.
H. Fox Talbot, The Pencil of Nature, (London: Longman, Brown, Green and Longmans, 1844) 
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