This unsigned, original print was found in Imogen's files. It is one of the prints Imogen made on a Guggenheim Fellowship which enabled her to print from glass negatives she brought with her when he moved from Seattle to San Francisco in 1917. This print has skewed borders characteristic of Imogen's darkroom style as well as her printing notes written in pencil on the back. The image is published in several Cunningham monographs. A letter of authenticity from Rondal Partridge, Imogen Cunningham's son, Trustee of the Imogen Cunningham Trust accompanies the print.
