Introduction | |
1 | Introduction to experimental and manipulated photography |
Removal of distracting elements | |
2 | Manipulating negatives |
Trick photography | |
3 | Bust or statuette portraits |
4 | Multiple portraits taken using mirrors (Multigraphs or mirror portraits) |
5 | Decapitated heads |
6 | Spirit photography |
7 | Reduction |
8 | People in bottles |
9 | Photo caricatures |
10 | Photograms of seaweed |
11 | Stamps and stamp portraits |
12 | Electrical photographs |
13 | Crayon daguerreotypes and vignettes |
14 | The simulation of night |
Composite and combination prints | |
15 | Composite and combination prints: Defined |
16 | C.W. Applegreen creates a composite photograph |
Distortions | |
17 | Introduction to distortions |
18 | Louis Ducos du Hauron: Transformiste (Distortions) |
Reflections | |
19 | Reflections in water |
Softening portraits | |
20 | The softening technique of Andrei Denier |
Composite portraits | |
21 | Composite and combination prints: Portraits |
Cliché verre | |
22 | Cliché verre |
Painting on photographs | |
23 | Introduction to painting on photographs |
24 | Nineteenth century Japanese artists and colourists |
25 | John Thomson: A Chinese portrait artist, Hong Kong |
Photojournalism and painting on photographs | |
26 | Press photographs with paint or instructions |
Photograms | |
27 | Photograms |
Solarization | |
28 | Introduction to solarization |
29 | Examples of solarization |
30 | Edmund Teske: Duotone solarizations |
Mordançage | |
31 | Mordançage examples |
Sculptural forms | |
32 | Working with paper and card |
Exaggeration photo postcards | |
33 | Exaggeration postcards |
34 | William H. Martin: Exaggeration photo postcards |
Polaroids | |
35 | Experimental and manipulated Polaroids |
36 | Ellen Carey: Pulls |
Photographers | |
37 | Juan Pedro Chabalgoity: Photo-collages on cartes de visite (ca 1875) |
38 | Hannah Maynard: Self portraits |
39 | Alexander Rodchenko: Using different viewpoints |
40 | Francis Bruguière: Cathedral montages |
41 | Roger Parry: Banalité (1930) |
42 | Frederick R. Archer: Experimental works |
43 | Francis Bruguière: Cut-paper abstractions |
44 | Man Ray: Solarized nudes |
45 | Man Ray: Les vois lactées (1974) |
46 | Lotte Jacobi: Photogenics |
47 | Carl-Heinz Chargesheimer: Experimental photography |
48 | Heinz Hajek-Halke: Experimental photography |
49 | Kurt Wendlandt: Lichtgraphik |
50 | Jaroslav Rössler: Abstractions |
51 | Milos Korecek: Abstractions (Fokalke) |
52 | Edmund Kesting: Ein Maler sieht durch's Objektiv (1958) |
53 | Weegee: Kaleidoscopic photographs |
54 | Frederick Sommer: Cut paper |
55 | Henry Holmes Smith: Portfolio Two, Center for Photographic Studies |
56 | Ladislav Postupa: Experimental vision |
Cinema and experimental photography | |
57 | Dziga Vertov:The Man with a Movie Camera (1929) |
Integrity | |
58 | Image integrity in documentary photography and photojournalism |
Introduction | |
1 | Introduction to experimental and manipulated photography |
Removal of distracting elements | |
2 | Manipulating negatives |
Trick photography | |
3 | Bust or statuette portraits |
4 | Multiple portraits taken using mirrors (Multigraphs or mirror portraits) |
5 | Decapitated heads |
6 | Spirit photography |
7 | Reduction |
8 | People in bottles |
9 | Photo caricatures |
10 | Photograms of seaweed |
11 | Stamps and stamp portraits |
12 | Electrical photographs |
13 | Crayon daguerreotypes and vignettes |
14 | The simulation of night |
Composite and combination prints | |
15 | Composite and combination prints: Defined |
16 | C.W. Applegreen creates a composite photograph |
Distortions | |
17 | Introduction to distortions |
18 | Louis Ducos du Hauron: Transformiste (Distortions) |
Reflections | |
19 | Reflections in water |
Softening portraits | |
20 | The softening technique of Andrei Denier |
Composite portraits | |
21 | Composite and combination prints: Portraits |
Cliché verre | |
22 | Cliché verre |
Painting on photographs | |
23 | Introduction to painting on photographs |
24 | Nineteenth century Japanese artists and colourists |
25 | John Thomson: A Chinese portrait artist, Hong Kong |
Photojournalism and painting on photographs | |
26 | Press photographs with paint or instructions |
Photograms | |
27 | Photograms |
Solarization | |
28 | Introduction to solarization |
29 | Examples of solarization |
30 | Edmund Teske: Duotone solarizations |
Mordançage | |
31 | Mordançage examples |
Sculptural forms | |
32 | Working with paper and card |
Exaggeration photo postcards | |
33 | Exaggeration postcards |
34 | William H. Martin: Exaggeration photo postcards |
Polaroids | |
35 | Experimental and manipulated Polaroids |
36 | Ellen Carey: Pulls |
Photographers | |
37 | Juan Pedro Chabalgoity: Photo-collages on cartes de visite (ca 1875) |
38 | Hannah Maynard: Self portraits |
39 | Alexander Rodchenko: Using different viewpoints |
40 | Francis Bruguière: Cathedral montages |
41 | Roger Parry: Banalité (1930) |
42 | Frederick R. Archer: Experimental works |
43 | Francis Bruguière: Cut-paper abstractions |
44 | Man Ray: Solarized nudes |
45 | Man Ray: Les vois lactées (1974) |
46 | Lotte Jacobi: Photogenics |
47 | Carl-Heinz Chargesheimer: Experimental photography |
48 | Heinz Hajek-Halke: Experimental photography |
49 | Kurt Wendlandt: Lichtgraphik |
50 | Jaroslav Rössler: Abstractions |
51 | Milos Korecek: Abstractions (Fokalke) |
52 | Edmund Kesting: Ein Maler sieht durch's Objektiv (1958) |
53 | Weegee: Kaleidoscopic photographs |
54 | Frederick Sommer: Cut paper |
55 | Henry Holmes Smith: Portfolio Two, Center for Photographic Studies |
56 | Ladislav Postupa: Experimental vision |
Cinema and experimental photography | |
57 | Dziga Vertov:The Man with a Movie Camera (1929) |
Integrity | |
58 | Image integrity in documentary photography and photojournalism |