| 1. |  | Unidentified photographer n.d. Girl with posing stand Daguerreotype, 1/6 plate Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (46 / 22) |
| 2. |  | Louis Jules Duboscq 1850s (mid) Study of a Reclining Nude from behind Daguerreotype, hand-tinted, stereoscopic Charles Isaacs Photographs, Inc |
| 3. |  | Unidentified photographer / artist 1853 (ca) Pin, portrait of a lady holding a book or image, gold chain, fully tinted, pinchbeck wire surround with grape leaves, English Jewelry, Daguerreotype Private collection of Larry West Courtesy of Larry J. West, © West Companies, Inc., 2005. [From the book: Tokens of Affection and Regard] |
| 4. |  | Reed Beeder 1855-1860 Untitled Ambrotype, whole plate, hand-painted Charles Schwartz Ltd Courtesy of Charles Schwartz Ltd (www.cs-photo.com - #3233) |
| 5. |  | J.W. Ramsden Studio 1855 (ca) British child Ambrotype, 1/2 plate Private collection of Steven Evans Courtesy of Stephen Evans Vintage Photography (www.se-photo.com, #500) |
| 6. |  | Unidentified photographer n.d. Dressed in green Ambrotype, 1/6 plate Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (47 / 62) A heart-stopping rich image of these siblings. Another wake-up call for those daguerreians who still might denigrate ambrotypes. 1/6 plate ambrotype in an early case with original spine (the case seems earlier than the ambrotypes.) |
| 7. |  | Auguste Salzmann 1854 Jerusalem, Eglise Sainte Anne Calotype 9 x 12 3/4 in Lee Gallery Image courtesy of the Lee Gallery (www.leegallery.com) |
| 8. |  | Unidentified photographer 1850 (ca) [hand-tinted calotype of a Lady] Calotype, hand-tinted 160 x 210 mm Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com - 2pe15) |
| 9. |  | Albert Sands Southworth 1860s Albert Southworth, with Nellie Coburn Carte de visite, albumen print Private collection of Larry West Courtesy of Larry J. West, © West Companies, Inc., 2005. [From the book: Tokens of Affection and Regard] |
| 10. |  | Unidentified photographer / artist n.d. Tinted carte de visite of American Civil War soldier before painted backdrop Carte de visite, hand-tinted Jeffrey Kraus Antique Photographics Courtesy of Jeffrey Kraus |
| 11. |  | F.B. Clench n.d. [USA] Carte de visite, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) [Please note that the scan colors may not exactly match those on the original.] |
| 12. |  | André Adolphe-Eugène Disdéri 1860 Mme. Sitsto and son Uncut studio carte de visite proof sheet, Albumen print, from wet collodion negative 7.25 x 9 Charles Isaacs Photographs, Inc |
| 13. |  | Central Photo Parlors 1895 (ca) Dandy! Gelatin silver print, toned (Cabinet card) 5.4 in (13.72 cm) x 4 in (10.16 cm) Robert Tat Gallery Courtesy of Robert Tat Fine Photographs (www.roberttat.com - #1787) |
| 14. |  | Smith & Ashman n.d. Studio portrait of a woman Cabinet card, tinted Private collection of Alan Griffiths |
| 15. |  | Sheffield Photo Co. n.d. Man seated on a rustic bridge (Sheffield, UK) Cabinet card, stereoview Private collection of Alan Griffiths |
| 16. |  | G.W. Browning (Atlanta, Illinois) n.d. Peoples Bank [Advertising card] Cabinet card Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (46 / 96) |
| 17. |  | Esson's Elite Atelier n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) King Street, Preston, Ont. This card uses a high quality stock design that highlights the association between painting and photography through the inclusion of a camera, palette and brushes. [Please note that the scan colors may not exactly match those on the original.] |
| 18. |  | Sheffield Photo Co. n.d. Backmark for Sheffield Photo Co. (Sheffield, UK) Cabinet card, back Private collection of Alan Griffiths |
| 19. |  | Boyd and Braas n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Boyd and Braas Photographic Studio, 614 Front Street, Seattle. Unusual back to a cabinet card showing sites of importance around Seattle including Mt. Rainer and the Snoqualmie Falls (268 Ft. High). [Please note that the scan colors may not exactly match those on the original.] |
| 20. |  | Unidentified photographer 1870s (ca) Western portrait of a Cowboy Tintype, 1/6 plate Charles Schwartz Ltd Courtesy of Charles Schwartz Ltd (www.cs-photo.com - #9118) |
| 21. |  | Unidentified photographer 1870 (ca) Mexican or Native American Man Tintype CDV size Carl Mautz Vintage Photographs Courtesy of Carl Mautz |
| 22. |  | Unidentified photographer n.d. Gentleman vignette Tintype, Neff Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (46 / 67) |
| 23. |  | Unidentified photographer 1875 (ca) Group Portrait in front of House, New England Tintype, mammoth plate 8.5 x 14 in (216 x 356 mm) Charles Schwartz Ltd Courtesy of Charles Schwartz Ltd (www.cs-photo.com - #5499) |
| 24. |  | Underwood & Underwood n.d. 4935 President Roosevelt's choicest recreation, amid Nature's rugged grandeur - on Glacier Point, Yosemite Stereocard Jefferson Stereoptics Courtesy of John Saddy (Auction, Tues. May 23rd & Thurs. May 25th, 2006, # 06-2, Lot 289) |
| 25. |  | Underwood & Underwood n.d. 4935 President Roosevelt's choicest recreation, amid Nature's rugged grandeur - on Glacier Point, Yosemite (Detail) Stereocard Jefferson Stereoptics Courtesy of John Saddy (Auction, Tues. May 23rd & Thurs. May 25th, 2006, # 06-2, Lot 289) |
| 26. |  | M. Goulart 1890s (ca) Bilingual stereo card advertisement Stereo card (Back) Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) M. Goulart, 109 So. Sixth St., New Bedford, Mass. USA. Manual Goulart is known to have been at this address from 1892 until at least 1899. New Bedford was a whaling community during the 19th century and a large number of Portuguese sailors were involved in the fishing industry. [Please note that the scan colors may not exactly match those on the original.] |
| 27. |  | William Saunders 1865-1872 Studio portrait of a woman weaving [Shanghai] Albumen print 26.5 x 21 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) This photograph has often been miss-attributed to L.F. Fisler a contemporary of Saunders. |
| 28. |  | Carleton E. Watkins 1865 (ca) The Three Brothers, 3818 Feet, Yosemite, California Albumen print, mammoth, from wet collodion negative 15.75 x 20.25 Charles Isaacs Photographs, Inc |
| 29. |  | Felice Beato Studio 1870 (ca) Geisha Albumen print, tinted 253 x 205mm Old Japan Courtesy of Terry Bennett (Old Japan - www.old-japan.co.uk - EB-0056) |
| 30. |  | Unidentified photographer 1910 (ca) Brick making [1 of 4] [Martin Lancaster, PA] Cyanotype 10 x 8 ins Private collection of Alan Griffiths Part of a series of four cyanotypes numbered in sequence showing a brick making plant. The red company labels affixed to the front of each is for "Martin Lancaster, PA" and the machine in the first of the series appears to be the first shown. We would welcome any further information on the process shown, the dating or the company. |
| 31. |  | Unidentified photographer 1910 (ca) Goulds Manufacturing Co. Cyanotype 9 in (22.86 cm) x 11 in (27.94 cm) Robert Tat Gallery Courtesy of Robert Tat Fine Photographs (www.roberttat.com - #1738) |
| 32. |  | W. & D. Downey 1893 (ca) The Misses Dene Woodburytype 5.5 x 3.6 in (140 mm x 93 mm) Paul Frecker Paul Frecker provides the following comments: "A Woodburytype from around 1893 showing the Misses Dene. Dorothy Dene (1859-1899), posed here on the left, was a beautiful but indifferent actress who became a favourite model of Lord Leighton, posing for some of his most famous paintings, notably Flaming June, The Bath of Psyche, and The Garden of the Hesperides. She also posed for G.F. Watts. Her sisters, Edith (born 1865), seen here at the top, and Lena (properly Isabel Helena, born 1873), seen here at the bottom, also posed for Lord Leighton, as did another sister, Hetty (properly Henrietta Sarah, born 1867), who does not appear in this portrait. The fourth girl seen here, on the right, is Kathleen Blanche (born 1871)." Illustrated in Jeremy Maas's The Victorian Art World in Photographs (1984) and Ken Jacobson's Etude d'aprÞs nature: 19th Century Photographs in Relation to Art (1996). |
| 33. |  | Henry Van der Weyde 1885 (book published) Violin maker Woodburytype Private collection of Nigel Maister Published in the book: Ed. Heron-Allen (1885) "Violin-Making (As It Was and Is): being a Historical, Theoretical and Practical Treatise on the Science and Art of Violin-Making, for the use of Violin Makers and Players, Amateur and Professional" (London: Ward, Lock and Co.) This woodburytype was printed by Vincent Brooks and used as the frontispiece to the book and is signed "Always most sincerely. Yours Ed Heron-Allen" |
| 34. |  | Wm. Field Putney 1885 (book published) A violin by Andreas Amati: One of 24 made by Andreas Amati for Charles IX, King of France Woodburytype Private collection of Nigel Maister Published in the book: Ed. Heron-Allen (1885) "Violin-Making (As It Was and Is): being a Historical, Theoretical and Practical Treatise on the Science and Art of Violin-Making, for the use of Violin Makers and Players, Amateur and Professional" (London: Ward, Lock and Co.) This woodburytype was printed by Vincent Brooks. |
| 35. |  | J. Craig Annan 1896 Les Frères Blanc [Photo-Club de Paris / 1896, Pl. XIV] Heliogravure / Photogravure 9.9 x 9.1 cm Photoseed Photograph courtesy PhotoSeed.com Country: Scotland: Glasgow This photograph, taken in Italy in 1894 and also known as The White Friars, is an early example of stop-movement photography made by Annan with a hand-held camera. This plate is a slight variant crop on one made by Annan and reproduced as Plate #2 in the book by Weston Naef (1978) The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography (The Metropolitan Museum of Art / The Viking Press) That version shows the entire shadow cast on ground in lower right and more detail in the print. Annan, a contemporary of Stieglitz and important influence on him, was not only a gifted photographer but also a publisher who made his own copper plates for printing photogravures for himself and the family firm: T & R Annan & Sons. Today, the Annan family is still in business- operating The Annan Gallery (a fine art dealer gallery) at 164 Woodlands Road in Glasgow. Plate (Graveur) by James Craig Annan Printed by Ateliers Charles Wittmann Included in the "Troisième Exposition d'Art Photographique" of the Photo-Club of Paris (1896) |
| 36. |  | Edmond Sacré 1896 L'Etude [Photo-Club de Paris / 1896, Pl. XXXV] Heliogravure / Photogravure 21.0 x 16.7 cm Photoseed Photograph courtesy PhotoSeed.com Country: Belgium: Gand Sacré's dates are 1851-1921 Plate (Graveur) by Fillon et Heuse Printed by Ateliers Charles Wittmann Included in the "Troisième Exposition d'Art Photographique" of the Photo-Club of Paris (1896) |
