| 1. |  | Eugène Atget 1900 A L'Homme Armé, 25 rue des Blancs-Manteaux, Paris Albumen silver print, from glass negative 21.3 x 17.4 cm (8 3/8 x 6 7/8 ins) (image) 35.4 x 27.3 cm (13 15/16 x 10 3/4 ins) (mount) Metropolitan Museum of Art Gilman Collection, Purchase, Mrs. Walter Annenberg and The Annenberg Foundation Gift, 2005, Accession Number: 2005.100.515 For an analysis of this photograph: Juliet Hacking (ed.), 2012, Photography: The Whole Story, (Prestel), pp. 292-293 |
| 2. |  | Dorothea Lange 1936 Funeral Cortege, End of an Era in a Small Valley Town Gelatin silver print 16 x 20 in Lee Gallery Courtesy of Lee Gallery (X1167) Printed ca. 1950. Photographer's stamp on verso. |
| 3. |  | Klavdij Sluban 2003 Latvia [Other Shores - The Baltic Sea (2001-2005)] Gelatin silver print Provided by the artist - Klavdij Sluban |
| 4. |  | Dorothea Lange 1936, 1 August Drought refugees from Abilene, Texas working as migratory workers. Gelatin silver print LIFE Dorothea Lange/Time & Life Pictures/Getty Images, 50700805 |
| 5. |  | Rae Russel 1954 (Boy at Bus Window) Gelatin silver print 13 1/2 x 9 1/8 Barry Singer Gallery |
| 6. |  | Robert Doisneau 1948 Un regard Oblique Gelatin silver print Staley+Wise Gallery |
| 7. |  | S.J. Schweig (1905-?) 1948-1950 [Looking out of a porthole] [Photo Service of the Jewish Agency, Jerusalem. United Israel Campaign] Gelatin silver print 17 x 12 cm Bassenge Photography Auctions Courtesy of Bassenge, 19th-21st Century Photography, 6 June 2012, Lot: 4189 |
| 8. |  | Daniel Frasnay 1967, May Magritte dans son atelier de Bruxelles Gelatin silver print 20.1 x 21 cm Piasa Photographies, 28 October 2011, Lot 90 Légende et cachet du photographe au dos. |
| 9. |  | Leland Rice 1968 Volkswagen With Figure Source requested © Leland Rice; Courtesy the artist and Michael Dawson Gallery Photo Synthesis Colin Westerbeck "The Visual Dialogue Foundation: Vintage Photographs by Judy Dater, Oliver Gagliani, Leland Rice, and Don Worth, 1968-1978" is at the Michael Dawson Gallery through April 28 The conversation that the Visual Dialogue Foundation wanted to strike up was, according to a 1972 statement, between an "older generation" of photographers and younger ones "groping for a position of relevance to geometrically changing times." The wide-angle lens that Leland Rice used for the photograph shows the strain on the geometry. It permitted him to keep the misty landscape - a subject inherited from earlier generations of Northern California photography - in perspective while also capturing the "gothic" effect (as Rice calls it) of the face in the car window. Rice and his contemporaries wanted to make more inclusive images. They stretched not only the photographic frame, but the historical framework in which photography was discussed. To achieve this, Rice has also written essays and curated exhibitions. Half the pictures by Rice in this show were taken through windows, as if, whether he was inside or outside, he needed to bring different points of view together. Like the seeming distortion in the Volkswagen's image, jumps in scale or optical eccentricities in other photographs make you wonder whether he wasn't tripping out in the darkroom. But all these photographs are realities seen in an unaltered state. [Originally published in West Magazine : April 1, 2007, p.9] |
| 10. |  | Klavdij Sluban 1995-2001 Fleury-Mérogis, France [Prisons for young offenders] Gelatin silver print Provided by the artist - Klavdij Sluban |
| 11. |  | Elliott Erwitt 1955 Colorado, USA Gelatin silver print Stephen Bulger Gallery © Elliott Erwitt / Magnum Photos |
| 12. |  | Mike Abrahams 1990 The border between the Irish Republic and Northern Ireland at Strabane. A child in a caravan with the British Army border check point behind [Northern Ireland] Gelatin silver print, fibre 15 x 12 in Provided by the artist - Mike Abrahams © 2007 Mike Abrahams - All Rights Reserved |
| 13. |  | Bruno Barbey 1964 Rome, Italy (Four Men through Car Windows) Barry Singer Gallery |
| 14. |  | Clem Albers 1942, 1 April Lone Pine, California. A young evacuee of Japanese ancestry arrives here by train prior to being transferred by bus to Manzanar, now a War Relocation Authority center. [War Relocation Authority] Black and white image National Archives and Records Administration NAIL Control Number: NWDNS-210-G-A304 |
| 15. |  | Peter Suschitzky 1959 Gare du Nord Gelatin silver print 30.4 x 40 cm Pierre Bergé & Associés Courtesy of Pierre Bergé & Associés (Auction, June 16, 2010, Lot: 707) Tirage argentique en noir et blanc signé, situé et daté au dos, postérieur. |
| 16. |  | Ruth Orkin n.d. Refugees Gelatin silver print 11 x 14 in Fay Gold Gallery |
| 17. |  | Louis Stettner 1958 (taken) Penn Station Gelatin silver print 11 1/2 x 17 1/4 ins Howard Greenberg Gallery Inventory no: 0018078 Signed, titled, and dated with "For Milton" in pencil on print verso. |
| 18. |  | Unidentified photographer 1915 The Great War. First World War. English 'Pierrettes' with wigs and white collars in a bus collecting money for the wounded soldiers. Gelatin silver print National Archive of the Netherlands / Nationaal Archief Spaarnestad Photo, SFA022802565 |
| 19. |  | Arthur Leipzig 1952 Subway Car Private collection of Henri van der Tol |
| 20. |  | Marc Riboud 1957 Windows, Beijing Gelatin silver print 30 x 40 cm S K Josefberg Studio (CLOSED - 2004) |
| 21. |  | Henri Cartier-Bresson 1948 Peking Gelatin silver print 11 x 14 / 16 x 20 Peter Fetterman Gallery |
