Luminous-Lint - for collectors and connoisseurs of fine photography
HOME  BACK>>> Subscriptions <<< | Testimonials | Login |

HomeContentsVisual indexesAntione Sevruguin

Antione Sevruguin 
Vicinity of Hamadan (Iran): Sassanid Inscriptions of Ganj-Nama 
Gelatin silver print 
24 x 18 cm 
Freer Gallery of Art and Arthur M. Sackler Gallery Archives 
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Gift of Katherine Dennis Smith, 1973-1985, Local number: FSA A.4 2.12.Sm.39 
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
"A Bakhtiari guard posing beside the Sassanid inscriptions of Ganj-nama (in Cuneiform), located close to the city of Hamadan. The two inscriptions were most probably ordered by Darius I and Xerxes I." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant] 

HOME  BACK>>> Subscriptions <<< | Testimonials | Login |
 Facebook LuminousLint 
 Twitter @LuminousLint