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Mathew B. Brady - Brady's Daguerrean Gallery 

Published in "Jenny Lind in New York" in The Musical World, Volume 25, No: 42, Saturday, October 19, 1850, p.671
She also objects to have her likeness exhibited; but this objection is overruled by Mr. Brady, the daguerreotypist, who shared with the sun the honour of having taken it, and on his part objects to be considered a humbug. Our meaning will be understood from the following :
Mdlle. Jenny Lind, who, in the first place, was averse to having her likeness taken, and, in the second, did not wish to have it exhibited, has permitted Mr. Brady to show it to the public, who have importuned him for the last week, many telling him it was all humbug, and that she did not sit for her likeness at all. On Monday there was a great rush to see it, and all who had seen her pronounced it to be an admirable likeness. It is a beautiful specimen of the perfection of the photogenic art. There were eight likenesses taken in all, and every one differed from the rest, so changeable is the expression of the countenance of the great cantatrice. There were three preserved, of which Mr. Brady has two, and one is in the possession of Jenny Lind herself. The two at Mr. Brady's gallery differ very much, one of them being far superior to the other. In looking at those likenesses of Jenny Lind, we saw some exquisite portraits done on ivory, which is a new invention of. Mr. Brady, and exceedingly creditable to him. 



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