1
LL/9892 |  | Chase's Daguerreotype Rooms (Boston)
Chase's Dauerreotype Rooms, 257 Washington Street, Boston
n.d.
Archives of Modern Conflict OR National Gallery of Canada
|
2
LL/9852 |  | C.C. Schoonmaker
Business card for C.C. Schoonmaker - "Daguerreotypes by Steam for the Million"
n.d.
Business card
Archives of Modern Conflict OR National Gallery of Canada
|
3
LL/53724 |  | Theodor Hosemann (1807-1875)
The photographer deprives the artist of his livelihood
1843
Caricature
Location and source information requested
|
4
LL/34697 |  | Cuthbert Bede
To secure a pleasing Portrait is everything
1853 (publication) 1973 (facsimile)
Book illustration
Private collection of Alan Griffiths
|
5
LL/34682 |  | Honoré Daumier
Position réputée la plus commode pour avoir un joli portrait au Daguerréotype. [Recommended position for having a perfect Daguerreotype portrait taken.]
1847, 24 July
Lithograph
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
BnF, Estampes et Photographie, Rés. Dc-180c (2)-Bo¯te fol.
|
6
LL/9842 |  | Advertisement for L.H. Griffin's Ambrotype and Photograph Rooms, 268 Washington St. Boston.
n.d.
Advert
Archives of Modern Conflict OR National Gallery of Canada
|
7
LL/9864 |  | A.H. Beck (Mokelumne Hill)
Business card for A.H. Beck, Ambrotype Gallery, Mokelumne Hill
n.d.
Business card
Archives of Modern Conflict OR National Gallery of Canada
|
8
LL/34704 |  | George Cruikshank
Photographic Phenomena, or the New School of Portrait Painting
1842
Magazine illustration
Google Books
|
9
LL/31395 |  | Parker's Photographic Rooms (Pekin, ILL)
Advertising for Parker‘s Photographic Rooms,Pekin, ILL.
1865, 7 March (after, date of Potter's Patent)
Tintype, carte de visite mount
Private collection of Laurie Minor
|
10
LL/34686 |  | Honoré Daumier
NADAR élevant la Photographie à la hauteur de l'Art. [NADAR elevating Photography to Art.]
1862, 25 May
Lithograph
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
BnF, Estampes et Photographie, Rés. Dc-180b (69)-Fol.
|
11
LL/34418 |  | Unidentified photographer/creator
Two Daguerreotypes
1854 (entered according to Act of Congress)
Magazine page
Google Books
|
12
LL/43138 |  | Unidentified artist
[Topaz with animals with cameras]
1877
Book illustration
Google Books
|
13
LL/39262 |  | Unidentified photographer/creator
Niagara [Showing Blondin photographing the crowd]
1859 (event), 1862 (published)
Book illustration
Google Books
|
14
LL/34435 |  | Unidentified photographer/creator
The Sitting
1860
Book plate
Google Books
|
15
LL/34678 |  | Honoré Daumier
Nouveau procédé employé pour obtenir des poses gracieuses. [A New Process Used to Achieve Graceful Poses.]
1856
Lithograph
National Gallery of Canada / Musée des beaux-arts du Canada
|
16
LL/44368 |  | Phil May (Artist)
Force of Habit
1900 (published)
Drawing
Project Gutenberg
http://www.gutenberg.org/ebooks/37767
|
17
LL/44270 |  | Honoré Daumier
La pose de l'homme de la nature / Pose de l'homme civilise
1853, 31 March
Newspaper cartoon
Interencheres - La Gallerie de Chartes
Collection Henry Koilski (Galerie de Chartres, Auction, 8 October 2011, Lot: 10)
|
18
LL/34678 | | Honoré Daumier
Nouveau procédé employé pour obtenir des poses gracieuses. [A New Process Used to Achieve Graceful Poses.]
1856
Lithograph
National Gallery of Canada / Musée des beaux-arts du Canada
|
19
LL/35309 |  | George Cruikshank
Frontispiece of "Midnight Scenes and Social Photographs: being Sketches of Life in the Streets, Wynds, and Dens of the City by Shadow" (Glasgow: Thomas Murray and Son, 1858)
1858
Frontispiece
Google Books
|
20
LL/34349 |  | Unidentified photographer/creator
Fig. 23. Le laboraitoire de M. Niépce de Saint-Victor
1864 (published)
Engraving
Google Books
|
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