| Introduction |
| 10.01 | Introduction to scientific photography |
| 10.02 | Introduction to scientific laboratories |
| Science and photographic processes |
| 10.03 | Daguerreotypes: Scientific |
| 10.04 | Salt prints: Scientific |
| 10.05 | Albumen prints: Scientific |
| 10.06 | Stereoviews: Scientific |
| 10.07 | Gelatin silver prints: Science |
| 10.08 | Autochromes: Scientific |
| Contemporary examples |
| 10.09 | Contemporary scientific imagery |
| Themes |
| 10.10 | Anthropology |
| 10.11 | Nineteenth century botany |
| 10.12 | Isabel Agnes Cowper: Mathematical models made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum (1872) |
| 10.13 | Wilhelm Konrad Röntgen: X-rays |
| 10.14 | Acoustics |
| 10.15 | Franz Max Osswald: Sound photographs in architectural models, from Franz Max Osswald's applied acoustics laboratory at ETH Zurich (1930-1933) |
| Worlds fairs and international exhibitions |
| 10.16 | The relationships between science and the World Fairs and International Exhibitions |
| Field books |
| 10.17 | Smithsonian Field Book Project |
| Photographs that include data |
| 10.18 | Photographs that include data |
| Photographers |
| 10.19 | Berenice Abbott: Science |
| 10.20 | Rose-Lynn Fisher: Bee |
| Science and religion |
| 10.21 | Evolution and the Biblical flood |
| Questioning science |
| 10.22 | Joan Fontcuberta: Fabricated sciences and alternative histories |
| Conclusions |
| 10.23 | Conclusions to scientific photography |
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