| Introduction |
| 929.01 | Conceptual photography |
| Questions of identity |
| 929.02 | Helmar Lerski: Portraits |
| Questions of identity |
| 929.03 | Claude Cahun: Self portraits |
| 929.04 | Cindy Sherman: Untitled Film Stills |
| 929.05 | Samuel Fosso: Self portraits |
| 929.06 | Lucas Samaras: Unpentant Ego / Photo-transformations |
| 929.07 | Gillian Wearing: Album (2003) |
| 929.08 | Nikki S. Lee: Projects |
| 929.09 | Annu Palakunnathu Matthew: An Indian from India |
| 929.10 | Sophie Calle: The intimacy of human behaviour |
| Politcs and the message |
| 929.11 | The relationships between photographs and text |
| Appropriation and originality |
| 929.12 | Introduction to appropriation |
| 929.13 | Andy Warhol: Appropriation |
| 929.14 | Sherrie Levine: Appropriation |
| 929.15 | Richard Prince: Appropriation |
| 929.16 | Robert Heinecken: Appropriation |
| 929.17 | Questioning truth through appropriation |
| Juxtaposing realities |
| 929.18 | Martha Rosler: Bringing the War Home |
| 929.19 | William Laven: War Models |
| 929.20 | John Divola: Evidence of Aggression - From Continuity |
| Spatial forms |
| 929.21 | Serge Tousignant: Spatial geometries |
| 929.22 | John Pfahl: Landscapes |
| Examinations of photohistory |
| 929.23 | James Welling: Conceptual photography |
| Narratives |
| 929.24 | Duane Michels: The Spirit Leaves the Body (1968) |
| 
| 
LuminousLint 
@LuminousLint