| Interiors 1973–74
     
[Click on the appropriate flag to buy the book] | Product Details
Collated sheets in a custom-made cloth covered folder
28 pages
Nazraeli Press
Published 2006
Publisher description
“Cyril Connolly wrote that ‘no city should be too large for a man [or woman] to walk out of in a morning.’ It is a sensible standard, though by it the Denver area in the 1970s was a disappointment. People had moved there to enjoy nature, but found that nature was mostly inaccessible except on weekends. Often little of it was even visible out the window. The puzzle became how to live inside. These rooms seemed to me then to be mostly sad, although what strikes me now is the evidence in them, however fragile, of caring.” – Robert Adams
Robert Adams recently came across a group of 24 pictures he made in Denver in the early 1970s. These photographs, which informed his later work, are published here for the first time. They offer new insight into the photographer’s way of seeing and thinking about the human condition, the profound influences of which are still being felt generations later. Interiors 1973-74 comprises 24 duotone plates printed on unbound sheets of heavy matt coated stock, presented in a cloth portfolio and limited to 1,000 copies. A special edition of 100 copies, numbered and signed by the artist and presented in a clamshell box, is also available. Advance orders are encouraged. |
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Perfect Times, Perfect Places
Robert Adams |  |
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West from the Columbia: Views at the River Mouth
Robert Adams |  |
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Why People Photograph: Selected Essays and Reviews
Robert Adams |  |
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Notes for Friends: Along Colorado Roads
Robert Adams |  |
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Summer Nights (New Images Book)
Robert Adams |  |
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Commercial / Residential: Landscapes Along the Colorado Front Range 1968-1972
Robert Adams (Photographer) |  |
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Turning Back: A Photographic Journal of Re-Exploration
Robert Adams (Photographer) |  |
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Along Some Rivers: Photographs and Conversations
Robert Adams (Photographer) |  |
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Views by Robert Adams of the Los Angeles Basin, 1978-1983
Robert Adams (Photographer); & Robert Hass (Introduction) |  |
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