Introduction |
4.01 | Landscape photography |
4.02 | Surveying |
4.03 | Daguerreotypes: Landscapes |
4.04 | Daguerreotypes: Panoramas |
4.05 | Albumen prints: Landscapes |
4.06 | Cartes de visite: Landscapes |
4.07 | Cabinet cards: Landscapes |
4.08 | Cartes de visite: Cityscapes |
4.09 | Cabinet cards: Cityscapes |
4.10 | Stereoviews: Places and locations |
4.11 | Gelatin silver prints: Landscape |
Nineteenth century landscape photography |
4.12 | Nineteenth century landscape photographers |
4.13 | Roger Fenton: The Works of Roger Fenton - Landscapes (Frith - Reigate) (ca 1868) |
4.14 | Peter Henry Emerson: Marsh Leaves (1895) |
4.15 | Pictorialism and the landscape |
4.16 | Pictorialism and trees |
4.17 | Pictorialism: Landscapes of ice and snow |
Themes |
4.18 | Trends and themes with landscape photography |
4.19 | Landscapes: Straight vs. Pictorialist |
4.20 | Landscapes: Pristine vs. Altered by man |
4.21 | Figures within the landscape |
4.22 | The landscapes of war |
4.23 | Introduction to early colour landscape photography |
4.24 | Autochromes: Landscape |
4.25 | Print size and perception within landscapes |
Amateur, snapshots and the popularisation of landscape |
4.26 | Snapshots: Landscapes |
4.27 | Cigarette cards of landscapes |
4.28 | Miniature views |
Photographers |
4.29 | Fred Judge: UK: Postcards |
4.30 | Ansel Adams: The New Ansel Adams Photography Series |
4.31 | Mario Giacomelli: On Being Aware of Nature (Presa di coscienza sulla natura) |
4.32 | John Pfahl: Landscapes |
4.33 | Yuval Tebol: Land Research Project (2017 or earlier) |
New Topographics |
4.34 | New Topographics (1975) |
Thoughts |
4.35 | Thoughts on trends in landscape photography |