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India Through the Lens: Photography 1840-1911 
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Product Details 
296 pages 
Prestel USA 
Published 2001 
From Library Journal 
A beautifully illustrated book, India Through the Lens accompanies an exhibition at the Arthur M. Sackler Gallery in Washington, DC. Essays by Vidya Dehejia, John Falconer, David Harris, Jane Ricketts, Gary D. Sampson, Charles Allen, and Michael Gray introduce chapters that focus on the work of particular photographers or genres. Included are the work of native Indian photographers, especially Lala Deen Dayal, who photographed the architecture and landscapes of his country in detailed albumen prints that are superior to anything done since. Samuel Bourne's landscape views of isolated Indian villages were surely the earliest taken of these areas. We see the photographs of the British Raj, including those by Samuel Bourne (Bourne & Shepherd), and the delicately hand-colored portraits by Herzog and Higgins. Also included are Felice Beato's 1857-58 photographs of the Lucknow attack and the picturesque 1860s landscapes of Donald Horne Macfarlane, a talented amateur. Some of the maharajas themselves took up photography, and the son of one of them, Shamarendra Chandra Deb Burman, became an accomplished photographic chemist and photographer, winning medals in England and Calcutta. The reproductions are of the highest quality, and the readable and well-researched texts enrich our understanding of early photography in India. This book will help erase the notion that photography was advanced mostly by photographers working in England, Europe, and America. Highly recommended for history of photography and India studies collections. The Seven Sisters of India is a beautifully illustrated and highly informative book that focuses on seven relatively unexplored and isolated Indian states that border China, Tibet, Bhutan, Bangladesh, and Myanmar. What results is the most comprehensive book available on the subject. The authors (not social scientists but a doctor and a musician, respectively), who have traveled extensively in Asia and done fieldwork in northeast India for two decades, have produced three other books and numerous articles on the western Himalayas. Nearly all the photographs in this book are theirs, and they are fine, indeed. The book is organized into individual chapters that cover matriarchal tribal structure, daily life, religious rituals and fertility rites, varied geographies, ancestor worship, sun and moon cults, the arts of weaving and dance, and the head-hunting practices that were the emphasis of the last book on this region 50 years ago. They also discuss Christian missionary influences. For those who are tempted to assert that no part of the world has been left unexplored or unexploited by tourism, this book is a powerful rebuttal. The authors set themselves the task of presenting a balanced portrait of the many tribes and 500 distinct ethnic groups in this isolated region, and they have succeeded in producing a first-rate book based on personal observations and delightfully free of scholarly theories and analyses. Recommended for anthropology and India and Asian studies collections. Kathleen Collins, Bank of America Archives, San Francisco  
Copyright 2001 Reed Business Information, Inc.  
From the Publisher 
Divided into thematic sections, the volume takes a look at individual genres of photography in India. These include city panoramas, documentary records of architectural monuments and native peoples of India, images of war, landscapes, portraits of the Maharajas, images of the British Enpire, and nativie Indian photographers, focusing in particular on the remarkable Lala Deen Dayal. While the approach is very aware of the often intertwined roles of photograhy and colonialism, the deciding... read more  
Book Description 
The second half of the 19th century was a period of tremendous photographic accomplishment on the Indian subcontnient, as demonstrated by this stunning publications. Not only does it illustrate the astonishing richness and variety of Indian life during the period, it also reveals the phenomenanal aesthetic achievements of its early photographers.
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