| Dates: | 1903, 4 December - 1991, 8 February | | Born: | US, NY, New York | | Active: | US |
American documentary photographer whose early series "Dead End: The Bowery" and "The Harlem Document" (ca. 1935-1940) captured the stark complexity of urban America. He later moved into abstraction and created series such as "Gloucester", "Chicago", "Jerome" where the graffiti and peeled paint of each location created intriguing patterns.Preparing biographies
Biography provided by Focal Press
A member of the New York Photo League through the 1930s, Siskind’s early projects such as Dead End: The Bowery and The Harlem Document are rich contributions to the social documentary tradition. In the 1940s he developed enduring connections with artists of the New York School and his work was transformed by a growing interest in abstraction: A visceral and metaphorical abstract expressionism evolved in his richly textured black and white images of found objects, graffiti, peeling posters, and other urban detritus. He became a renowned educator at Chicago’s Institute of Design (1951–1971) and Rhode Island School of Design (1971–1976) and a founder of the Society for Photographic Education.
(Author: Garie Waltzer - Photographer and consultant)
Michael Peres (Editor-in-Chief), 2007, Focal Encyclopedia of Photography, 4th edition, (Focal Press) [ISBN-10: 0240807405, ISBN-13: 978-0240807409]
(Used with permission)
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Family history
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| Wikipedia has a biography of this photographer. | | Go to website | | Getty Research, Los Angeles, USA has an ULAN (Union List of Artists Names Online) entry for this photographer. This is useful for checking names and they frequently provide a brief biography. | | Go to website | Grove Art Online (www.groveart.com) has a biography of this artist.
[NOTE: This is a subscription service and you will need to pay an annual fee to access the content.] | | Go to website | | The Cleveland Museum of Art, USA has a biography on this photographer. [Scroll down the page on this website as the biography may not be immediately visible.] | | Go to website |
The following books are useful starting points to obtain brief biographies but they are not substitutes for the monographs on individual photographers. |
• Beaton, Cecil & Buckland, Gail 1975 The Magic Eye: The Genius of Photography from 1839 to the Present Day (Boston and Toronto: Little, Brown & Company) p.176 [Useful short biographies with personal asides and one or more example images.]
• Capa, Cornell (ed.) 1984 The International Center of Photography: Encyclopedia of Photography (New York, Crown Publishers, Inc. - A Pound Press Book) p.465
• Coke, Van Deren with Diana C. Du Pont 1986 Photography: A Facet of Modernism (New York: Hudson Hills Press, The San Francisco Museum of Art) p.184
• Evans, Martin Marix (Executive ed.) 1995 Contemporary Photographers [Third Edition] (St. James Press - An International Thomson Publishing Company) [Expensive reference work but highly informative.]
• International Center of Photography 1999 Reflections in a Glass Eye: Works from the International Center of Photography Collection (New York: A Bulfinch Press Book) p.228 [Includes a well written short biography on Aaron Siskind with example plate(s) earlier in book.]
• Witkin, Lee D. and Barbara London 1979 The Photograph Collector’s Guide (London: Secker and Warburg) p.235 [Long out of print but an essential reference work - the good news is that a new edition is in preparation.]
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| "Both the object and the idea are in the varying degrees of harmony and dominance... Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them." |
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