| Names: | Born: Charles Rettew Sheeler
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| | Dates: | 1883, 16 July - 1965, 7 May | | Born: | US, PA, Philadelphia | | Active: | US |
American photographer and painter. He took on freelance photographic work to support his painting - but it is his architectural photographs of industrial plants and house interiors that will be remembered.Preparing biographies
Biography provided by Focal Press
Known primarily as a Precisionist painter, Sheeler’s photographic work was inspired by both the rural and industrial landscape, and was intimately connected, both ideologically and formally, to his painting. His exacting precisionist vision, eye for abstraction, and expressive use of form were central in his photographs, drawings, and paintings. His commercial photographic work for Fortune, Vogue, and Vanity Fair during the 1920s and 1930s gave him a platform to develop his growing interest in architectural and industrial form. Beguiled by the ideology of American industrialism, he produced his most notable photographic series for Ford Motor Company in 1927 at the River Rouge Plant. "Our factories," wrote the artist, "are our substitute for religious expression."
(Author: Garie Waltzer - Photographer and consultant)
Michael Peres (Editor-in-Chief), 2007, Focal Encyclopedia of Photography, 4th edition, (Focal Press) [ISBN-10: 0240807405, ISBN-13: 978-0240807409]
(Used with permission)
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Family history
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| Wikipedia has a biography of this photographer. | | Go to website | | Getty Research, Los Angeles, USA has an ULAN (Union List of Artists Names Online) entry for this photographer. This is useful for checking names and they frequently provide a brief biography. | | Go to website | Grove Art Online (www.groveart.com) has a biography of this artist.
[NOTE: This is a subscription service and you will need to pay an annual fee to access the content.] | | Go to website | | The Cleveland Museum of Art, USA has a biography on this photographer. [Scroll down the page on this website as the biography may not be immediately visible.] | | Go to website |
The following books are useful starting points to obtain brief biographies but they are not substitutes for the monographs on individual photographers. |
• Beaton, Cecil & Buckland, Gail 1975 The Magic Eye: The Genius of Photography from 1839 to the Present Day (Boston and Toronto: Little, Brown & Company) p.172 [Useful short biographies with personal asides and one or more example images.]
• Capa, Cornell (ed.) 1984 The International Center of Photography: Encyclopedia of Photography (New York, Crown Publishers, Inc. - A Pound Press Book) p.459-460
• Fernandez, Horacio (ed.) 2000 Fotografía Pública: Photography in Print 1919-1939 (Aldeasa) p.224 [This Spanish exhibition catalogue is one of the best sources for illustrations of photomontage and book design for the period between the two World Wars.]
• Witkin, Lee D. and Barbara London 1979 The Photograph Collector’s Guide (London: Secker and Warburg) p.232-233 [Long out of print but an essential reference work - the good news is that a new edition is in preparation.]
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If there is an analysis of a single photograph or a useful self portrait I will highlight it here. |
Photographic collections are a useful means of examining large numbers of photographs by a single photographer on-line.
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Library of Congress, Washington, USA
Approximate number of records: ?
Note: A single record may contain more than one photograph. | Click here |
| "Photography is nature seen from the eyes outward, painting from the eyes inward. Photography records inalterably the single image, while painting records a plurality of images willfully directed by the artist." |
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