| Names: | Born: Paul Augustus Martin
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| | Dates: | 1864, 16 April - 1944, 7 July | | Born: | France, Alsace-Lorraine, Herbeuville | | Active: | France / Great Britain |
Candid photography and early night photography. Martin was an artistic snapshotter supreme, carrying a Fallowfield Facile detective camera, disguised as a parcel, and capturing the less formal side of Victorian life, often at night, using gaslight and 15 minute exposures. He also ran his own studio and worked as a freelance photojournalist.
[With contributions by Pam Roberts]Preparing biographies
As an engraver, Paul Martin became involved with the problems of reproducing photographs in journals. He later became a professional photographer, concentrating on social events such as parades and state occasions. However, he is chiefly remembered for his informal images on beaches and in the busy streets of London. As one of the first reporters and ‘candid’ photographers, Martin used a disguised hand-held camera to supply magazines with photographs of street scenes that seemed astonishingly natural.
This biography is courtesy and copyright of the Victoria & Albert Museum and is included here with permission.
Date last updated: 11 Nov 2011.
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Visual indexes for this photographer are available for subscribers.There is so much more to explore when you subscribe.
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| Getty Research, Los Angeles, USA has an ULAN (Union List of Artists Names Online) entry for this photographer. This is useful for checking names and they frequently provide a brief biography. | | Go to website | Grove Art Online (www.groveart.com) has a biography of this artist.
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The following books are useful starting points to obtain brief biographies but they are not substitutes for the monographs on individual photographers. |
• Auer, Michele & Michel 1985 Encyclopedie Internationale Des Photographes de 1839 a Nos Jours / Photographers Encylopaedia International 1839 to the present (Hermance, Editions Camera Obscura) 2 volumes [A classic reference work for biographical information on photographers.]
• Beaton, Cecil & Buckland, Gail 1975 The Magic Eye: The Genius of Photography from 1839 to the Present Day (Boston and Toronto: Little, Brown & Company) p.91 [Useful short biographies with personal asides and one or more example images.]
• Lenman, Robin (ed.) 2005 The Oxford Companion to the Photograph (Oxford: Oxford University Press) [Includes a short biography on Paul Martin.]
• Witkin, Lee D. and Barbara London 1979 The Photograph Collector’s Guide (London: Secker and Warburg) p.188 [Long out of print but an essential reference work - the good news is that a new edition is in preparation.]
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If there is an analysis of a single photograph or a useful self portrait I will highlight it here. |
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