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German-born photojournalist who traveled the globe on assignment whilst working for Stern.
Biography provided by his son Jans Bock-Schroeder (24 October 2010)
Peter Bock-Schroeder the illegitimate son of a dashing Russian expatriate and the daughter of conservative German burghers, was born in the booming port city of Hamburg on November 30th 1913. He never knew his father, who was killed after returning to his native St. Petersburg. His mother, Meta Bock, later married, gaining a husband named Schroeder as well as a measure of respectability for herself and for her son.
In 1929, at the age of 16, Bock-Schroeder left home to find a future in Berlin, the vibrant Weimar capital then in the rapturous throes of a great cultural flowering. Along with the filmmakers, musicians, actors, architects, playwrights, composers, painters and novelists who filled Berlin’s cafes, photographers too were caught in the blooming. Encouraged by a friend of his step-father’s family who “believed to have discovered a visual talent in me,” Bock-Schroeder wrote in a self-deprecating autobiographical sketch, the fledgling photographer borrowed 150 Reichmarks from his benefactor and enrolled in an apprentice program at the reknowned Atelier Binder photo studios. The studio was famous for having nurtured the talents of such prominent German photographers as Erich Balg, Sonja Goergi, Hubs Floter, Friedrich Aschenbrauch and Jo Niczky – the apprenticeship taught him everything about the operation of a photo studio, but little about the art of taking pictures. After months spent “retouching negatives and positives, playing the peek-a-boo clown for children’s portraits and going to buy the bread rolls for the boss,” he left the studio and enrolled at the Bräuhaus school where Balg himself taught an inspirational class. “The little technical know-how I have, I owe to him,” Bock-Schroeder wrote. “One of his school exercises was to take a photo of the Brandenburg gate as no one had ever seen it before; using only a very rudimentary camera, he wanted us to find a new way of seeing something that had already been photographed millions of times. I took my shot of it looking between the legs of the policemen there and got a good grade.”
His knack for framing the familiar in interesting ways served him well during a visit to Holland, where he made some life-changing discoveries. “I was fascinated by the vastness of the country,” he wrote. He returned to Berlin having not only discovered a love for landscape photography that would sustain him throughout his life. He also learned that he could earn a living by taking pictures when he sold his Holland photos for publication. After two years at Brauhaus, Bock-Schroeder, at the tender age of 18, began his professional career as a journeyman photographer, chronicling his travels through Sweden, England and Belgium. “Travel is the best education for a photographer,” he wrote. “In those wander years I was able to experiment and shoot however I felt like. I had time, there were no `musts’ and earning a living wasn’t an issue. I was married to my camera.”
Of all the activities that flourished in Berlin before the lights went out on Jan. 30, 1933, when Adolf Hitler became Chancellor of Germany and the 12 years Nazi nightmare began, none was more exciting – nor more dangerous – than politics. While Nazis and Communists battled in the streets, 20-year old Bock-Schoeder joined the Social Democratic Party (SPD). With the triumph of the right, the leftist SPD was banned, its leadership imprisoned and in many cases murdered.
Detained and questioned by the Gestapo in 1933 when his name appeared on membership roles of the banned Social Democratic Party, Bock-Schroeder was ordered to work as part of the "Arbeits Dienst".
When, in 1938, as the Nazi war machine geared up for the coming invasion of Poland and the state-run Kristallnacht pogrom signaled the beginning of all-out war against Germany's jewish population, Bock-Schroeder attempted to flee to Holland. He was arrested and sent back to Germany.
When the war broke out on September 1, 1939, Bock-Schroeder enlisted in the Luftwaffe. During the war he served as aerial gunner and war correspondent in Erwin Rommel’s Afrika Corps. By the spring of 1945, Bock-Schroeder and fellow veterans of Rommel’s vanquished Afrika Corps were ordered to take part in a final campaign. Bock-Schroder managed to escape the airbase near Nürnberg, and bicycled 600 kilometers to Hamburg where he surrendered to British forces in his birthplace.
Peter Bock-Schroeder was imprisoned in an British POW camp. Released in the summer of 1945, he applied for employment at the fledgling German News Service (today dpa). He was hired on the spot by Sefton Delmer. As news agency photo-journalist, Bock-Schroeder traveled throughout Allied occupied Germany and the neighboring nations of Europe. In 1949, Bock-Schroeder, then 36, was hired by Henri Nannen for “Stern Magazine” as photo journalist, and sent on assignments around the world. He also worked for “Quick Magazine” and “Revue”.
On a Reportage in Cypress in 1950, he met his first wife. She was an American, working for the Foreign Office. They moved to the U.S., but the marriage only lasted for two years. Peter Bock-Schroeder was not ready to settle down, yet.
Instead he became a wanderer, photographing in Russia (the first German photographer admitted after the war), in North and South America (where he felt particular affinity for Native Americans), as well as Europe and the Middle East. His approach to photoraphy was realistic and honest. He didn't care about the rules of the assignments and continued his restless journey until 1959. Money had no relevance to him, but the quality of his photos guaranteed him work with all the major german magazines and newspapers.
During a Reportage in the South of Germany he met his second wife. They got married in 1960 in Munich and had four children.
Peter Bock-Schroeder continued to work for magazines and publishing houses. In 1972 he worked with Otl Aicher during the Munich Olympics, as photographer and coordinator of the international press team. At the age of 60 he signed a contract with the “Munich International Airport - Press Department”. His architectural and portrait works of that time have been published in books and magazines.
On February 19th 2001 Peter Bock-Schroeder died age 87 in Munich. He was surrounded by his wife, his four children and three grandchildren.
Peter Bock-Schroeder’s Photographic Archive is administered and represented by his son, Jans Bock-Schroeder.
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