Luminous-Lint - for collectors and connoisseurs of fine photography
HOME  BACK>>> Subscriptions <<< | Testimonials | Login |

Getting around


HomeContentsVisual IndexesOnline ExhibitionsPhotographersGalleries and DealersThemes
AbstractEroticaFashionLandscapeNaturePhotojournalismPhotomontagePictorialismPortraitScientificStill lifeStreetWar

Stereographs Project

      A B C D E F G H  
      I J K L M N O P  
      Q R S T U V W X  
      Y Z  

HomeContents > People > Photographers > Walter Calverley Trevelyan

Dates:  1797 - 1879
Active:  UK

Preparing biographies

Approved biography for Walter Calverley Trevelyan
Courtesy of the Metropolitan Museum of Art (New York, USA)

At Harrow, no two classmates were closer intellectually and spiritually than Trevelyan and Talbot, who shared a passion for botany. Trevelyan went on to study geology at Oxford under William Buckland and became a dedicated antiquary. He was also a social reformer, abstainer, a sincere believer in phrenology, and a promoter of concrete structures. Trevelyan discarded his first choice of a potential wife after a phreneological examination; at the 1833 meeting of the British Association for the Advancement of Science he met seventeen-year-old Pauline Jermyn, who was to become his wife and his artistic inspiration. In September 1839, the first batch of photogenic drawings sent by his childhood friend Talbot caught up with Trevelyan in Arbroath. On Christmas Day 1839 Trevelyan entered these into David Reid’s exhibition in Edinburgh, thus giving Talbot his first public showing in Scotland. The Treveylans’ contact with photography was frequent, first in Glasgow, then in St. Andrews with Sir David Brewster and John Adamson. In Rome in 1842 Trevelyan worked in daguerreotype with Alan Maconochie, assisting especially in the compounding of chemicals, and he took a special interest in photographic engraving. In 1843 Trevelyan saw Hill & Adamson’s “capitol Calotypes” and by April 1844, he wrote in his diary, had “made some tolerably successful essays with Calotype” himself. He kept at it, becoming fairly adept. However, Sir Trevelyan’s largest accomplishment in photography was interesting his wife, Pauline Trevelyan, in the art. 
Roger Taylor & Larry J. Schaaf Impressed by Light: British Photographs from Paper Negatives, 1840-1860 (Metropolitan Museum of Art, New York, 2007) 
This biography is courtesy and copyright of the Metropolitan Museum of Art and is included here with permission. 
Date last updated: 4 Nov 2012. 
We welcome institutions and scholars willing to test the sharing of biographies for the benefit of the photo-history community. The biography above is a part of this trial.
If you find any errors please email us details so they can be corrected as soon as possible.

Further research

 Premium content for those who want to understand photography
References are available for subscribers.There is so much more to explore when you subscribe. 
If you have a portrait of this photographer or know of the whereabouts of one we would be most grateful.
Family history 
If you are related to this photographer and interested in tracking down your extended family we can place a note here for you to help. It is free and you would be amazed who gets in touch.

Visual indexes

 Premium content for those who want to understand photography
Visual indexes for this photographer are available for subscribers.There is so much more to explore when you subscribe. 
HOME  BACK>>> Subscriptions <<< | Testimonials | Login |
 Facebook LuminousLint 
 Twitter @LuminousLint