 See larger photo
| Alfred Stieglitz: Aperture Masters of Photography
[Click on the appropriate flag to buy the book] |
Product Details Hardcover 96 pages Aperture Published 1997 Review "[Stieglitz's] photographs of things and people--of sun and cloud shapes--become equivalents of a deeply critical yet affirmative inquiry into a contemporary life. They are objective and beautiful conclusions of that inquiry."--Paul Strand Book Description Alfred Stieglitz was one of the most important cultural forces in twentieth-century America. He described himself in 1921 as "an American. Photography is my passion. The search for truth my obsession." As a photographer, editor, and gallery director, Stieglitz was a powerful--often domineering--influence on photography and art. As founder of the PhotoSecession movement and editor of the influential Camera Work, he eschewed the prevailing "artiness" of pictorialist photography, preferring a clarity of vision, a "crystallized awareness." In galleries such as "291" and An American Place which he directed, he introduced modern artists from this country and Europe. His own work was a seminal force, inspiring clut-like devotion; the noted curator and scholar Ananda Coomoraswamy said of Stieglitz, "His art is absolute the way Bach's music is absolute." He is best known for his winter scenes in New York and Paris, his luminous landscapes at Lake George, his portraits of Georgia O'Keeffe and Dorothy Norman, and his elusive Equivalents. His study of the expressiveness of forms and the subtleties of light won him great acclaim. Alfred Stieglitz presents forty-one of the artist's most significant photographs, spanning his career. Photographer Dorothy Norman, Stieglitz's close associate and working partner, has written an intimate and comprehensive text. |
An American Lens: Scenes from Alfred Stieglitz's New York Secession Jay Bochner (Author) |  |
|
Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics Marcia Brennan |  |
|
O'Keeffe and Stieglitz: An American Romance Benita Eisler |  |
|
Modern Art and America: Alfred Stieglitz and His New York Galleries Sarah Greenough |  |
|
Alfred Stieglitz: The Key Set the Alfred Stieglitz Vol I & II Collection of Photographs.... Sarah Greenough |  |
|
Alfred Stieglitz: Photography at the Musée d’Orsay Françoise Heilbrun |  |
|
Stieglitz: A Beginning Light Katherine Hoffman |  |
|
Stieglitz and the Photo Secession, 1902 William Innes Homer; & Catherine Johnson (Editor) |  |
|
Alfred Stieglitz: Scientist, Photographer, and Avatar of Modernism, 1880-1913 (Studies in the Fine Arts) Geraldine Wojno Kiefer |  |
|
Stieglitz: A Memoir/Biography Sue Davidson Lowe |  |
|
The Photography of Alfred Stieglitz: Georgia O'Keeffe's Enduring Legacy Therese Mulligan (Editor); George Eastman House; & Laura Downey |  |
|
In Focus: Alfred Stieglitz: Photographs from the J. Paul Getty Museum Weston Naef; & Alfred Stieglitz |  |
|
From Adams to Stieglitz: Pioneers of Modern Photography (Writers and Artists on Photography) Nancy Newhall; & Beaumont Newhall (Introduction) |  |
|
Alfred Stieglitz: An American Seer Dorothy Norman |  |
|
The Illuminating Mind in American Photography: Stieglitz, Strand, Weston, Adams David P. Peeler |  |
|
Georgia O'Keeffe and Alfred Stieglitz Peter-Cornell Richter |  |
|
|
Camera Work: A Pictorial Guide Alfred Stieglitz |  |
|
Alfred Stieglitz: Photographs and Writings Alfred Stieglitz |  |
|
Alfred Stieglitz: Aperture Masters of Photography Alfred Stieglitz; & Dorothy Norman (Contributor) |  |
|
Alfred Stieglitz (Aperture Masters of Photography, No 6) Alfred Stieglitz; & Dorothy Norman (Designer) |  |
|
|
|
My Dear Stieglitz: Letters of Marsden Hartley and Alfred Stieglitz, 1912-1915 James Timothy Voorhies (Editor); Alfred Stieglitz; & Marsden Hartley |  |
|