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| Andy Warhol: Photography
[Click on the appropriate flag to buy the book] | Product Details Hardcover 400 pages Edition Stemmle Published 1999 From Library Journal These two exhibition catalogs showcase the breadth of Andy Warhol's involvement with photography, and the special way that photography meshed with Warhol's obsession with fame. Andy Warhol--Photography is the larger work. Boasting 110 color and 300 duotone illustrations as well as more than 15 essays and interviews, it is, in fact, by far the most comprehensive examination of the subject ever published. The range is impressive, encompassing film stills, documentary photography, the use of photographs as the basis for his paintings, "automatic portraits," and other photographers' interest in his studio, the Factory. Warhol was the catalyst for all the work included, whether he acted as the photographer, subject, stylist, or inspiration. This broad look at Warhol's use of the medium is essential for academic art libraries and a good choice for most larger public library collections. In the catalog to the Nadar/Warhol exhibition, two Getty Center curators compile photographs by perhaps the first documentarian of star culture, 19th-century Parisian Nadar, and the man who brought the conflation of celebrity and art to its apogee, Andy Warhol. The images span from an 1857 portrait of Henri Murger (a popular writer of the day whose stories are the source for Puccini's La Boheme) to a polaroid of Mick Jagger. Wisely, the comparisons are implied and never seem forced. After an illuminating essay on fame by Richard Brilliant (humanities, Columbia), the book opens with a section of full-page Nadar photographs giving way to a Warhol section in the back. Opposite each image is an essay--concise, extremely readable, well researched, and consistently entertaining--that acts as both a biography of its subject and an insight into the artist's development at the time. Overall, this attempt to draw parallels between two artists whose lives and work concerned the celebrity of others and eventually their own fame is both clever and fruitful; one comes away wondering why someone hasn't noticed the similarities before. A book that will appeal to various audiences, this is recommended for all photography collections. -Douglas McClemont, New York Copyright 2000 Reed Business Information, Inc. Nashville, TN Tennessean, January 16, 2000 ...[B]y far the most comprehensive examination of the subject ever published.(Library Journal, 1/2000). |
Andy Warhol Pop Box: Fame, the Factory, and the Father of American Pop Art Andy Warhol Museum; & Andy Warhol |  |
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Nadar Warhol: Paris New York: Photography and Fame Gordon Baldwin; Felix Nadar; & Judith Keller |  |
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Andy Warhol: Polaroids, Celebrities and Self-Portraits Francesco Clemente |  |
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Holy Terror: Andy Warhol Close Up Bob Colacello |  |
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Andy Warhol 1928-1987: Commerce into Art (Basic Art) Klaus Honnef |  |
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Andy Warhol by Christopher Makos Christopher Makos; & Andy Warhol |  |
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All Tomorrow's Parties: Billy Name's Photographs of Andy Warhol's Factory Billy Name (Photographer); Dave Hickey; & Collier Schorr |  |
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The Philosophy of Andy Warhol Andy Warhol |  |
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Andy Warhol: Photography Andy Warhol; & Andy Warhol Museum (Editor) |  |
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Andy Warhol: Cataloue Raisonne vol. 2 Andy Warhol (Artist, Photographer) |  |
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Andy Warhol: Ladies & Gentleman, Sex Parts, Torsos Polaroids Andy Warhol (Photographer); & Nobuyoshi Araki (Photographer) |  |
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Andy Warhol: Red Books [BOX SET] Andy Warhol (Photographer); & Francois Marie Banier |  |
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Factory Made: Warhol and the Sixties Steven Watson |  |
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