| Tim Hawkinson | Octopus | | Cindy Sherman | Untitled Film Still #82 | | Robert Glenn Ketchum | Lakeshore in Morning Fog | | Abelardo Morell | Camera Obscura Image of the Grand Tetons in Resort Room, Jackson Hole, Wyoming | | John Sanchez | Rachel Rosenthal, Artist | | Mitch Epstein | Buena Vista, Colorado | | Leland Rice | Volkswagen With Figure | | Catherine Wagner | The Lamps of 1900 | | Ned Sloane | Telephone Pole Piece, Los Angeles: Photograph of Kim Jones | | Andrew Freeman | #3.4.04- Don Becker's Garage & Guesthouse, Independence, California N36O.48.229 - W118O.11.620 | | Ken Gonzales-Day | Franklin Avenue (1920) | | Jo Ann Callis | Man in Tie | | Bruce Nauman | Burning Small Fires (Artist Book) | | Annie Leibovitz | Scarlett Johansson, Chateau Marmont, West Hollywood | | David Maisel | Oblivion 1382-52p | | Gilbert B. Weingourt | Timothy Leary | | Richard Misrach | Untitled (Ocotillo) | | Edward Steichen | Sylvia Sidney, Hollywood | | Ruben Ochoa | Fwy Wall Extraction | | Hunter S. Thompson and others | From "Gonzo" | | Henry Wessel | Las Vegas No. 15 | | James Fee | Epiphany | | John Baldessari | Face (with Red Nose): Plus Four Alternate Noses | | Anthony Hernandez | Everything #2 | | Ansel Adams | Graduation dress | | Loretta Ayeroff | Mountain View, Edris Drive | | Grant Mudford | Walt Disney Concert Hall, Under Construction #7 | | Frederick Sommer | Stendhal | | Tina Modotti | Interior of the Church Tower at Tepotzotlan | | Henri Cartier-Bresson | Mexico City | | Irving Penn | Hell's Angels, San Francisco | | William Dassonville | From Glacier Point | | Christina Fernandez | Fashion International | | Mark Laita | Air Traffic Controller, Todd Phipps, Palmdale, California, May 5, 2006
Juggler, Sergey Gripkov, Los Angeles, February 21, 2000 | | Mark Wyse | Untitled Landscape | | U.S. Air Force 1352nd Photographic Group, Lookout Mountain Station | Sugar, 1.2 Kilotons, Nevada | | Julius Shulman | Von Sternberg Residence, Northridge | | Joaquin Trujillo | Amy, Los Ninos | | Robert Heinecken | Shiva Manifesting as a Single Mother | | Han Nguyen | Tsunami | | Melanie Einzig | Bikram Yoga Instructor, North Beach, San Francisco | | John Patrick Salisbury | Untitled No. 134 | | Karen Halverson | Gamble House Entry | | Bill Owens | 4th of July Parade, Pleasanton, California | | Catherine Opie | My Studio, Suzanne's Work | | Eliot Porter | Reflections in Pool, Escalante River, Utah | | Adam Bartos | Los Angeles | | Stan Honda | From the Heart Mountain Barracks Project | | Hiromu Kira | The Thinker | | Jeff Mermelstein | Yosemite National Park, California | | Lewis Baltz | West Wall, Unoccupied Industrial Structure, 20 Airway Drive, Costa Mesa | | Dennis Hopper | Robert Irwin | | Hansel Mieth and Otto Hagel | S.F. Water Front | | Edward Burtynsky | Oxford Tire Pile #8, Westley, California | | Beahan & McPhee | Almond Trees and Flood Irrigation, Oakdale | | Larry Sultan | Boxers, Mission Hills | | Isabel Gomes | Blue Horizon, Santa Rosa Island | | Edward Weston | Cabbage Leaf | | Anthony Friedkin | Offshore Winds, Zuma Beach | | Richard Long | Donner Pass Circle: Along a 20 Day Walk from Ebbetts Pass to the North Fork Feather River Sierra Nevada California 2005 | | John Swope | Dorothy McGuire, Beverly Hills | | Hans-Christian Schink | LA Night #1 | | Herve Friend | Redlands From Smiley Hill | | Joel Sternfeld | Queen of the Prom, the Range Nightclub, Slab City, California |
| | |  |
| |
Hunter S. Thompson and others
From "Gonzo"
1979 (ca)
© 2006 www.ammobooks.com
LL/16182
Photo Synthesis
Colin Westerbeck
"GONZO," a limited edition published by Ammo Books, is also an exhibition on view at M+B gallery in Los Angeles until Jan. 20. (2007)
Like Ralph Steadman's drawings, which illustrated Hunter S. Thompson's prose in Rolling Stone, Thompson's life contained a lot of splatter. Besides spilled booze, dribbled drugs and even some blood, there were lots of half-baked ideas and throwaway snapshots strewn around his Colorado compound.
Though put together by Ammo Books' Steve Crist after Thompson's suicide, this layout seems a good representation of his photography. Thompson wanted it to be like his writing: stream-ofconsciousness or, better still, unconsciousness. There must be, he said, "no alterations in the darkroom, no cutting or cropping, no spotting . . . no editing." It didn't even matter who took the pictures. Two-thirds of these are of him, not by him. (This is in keeping with "Gonzo," a form of journalism that replaces observation with self-absorption.)
The pictures of Thompson as an Arab terrorist by girlfriend Laila Nabulsi seem weirdly prescient today, but overall the impression is of a lifestyle receding into history like his convertible, "the Red Shark," disappearing down a Nevada highway. Bill Murray, seen twice here, was soon to make a pretty good movie based on "Fear and Loathing in Las Vegas." But the 1998 remake, produced by Nabulsi, was unwatchable. The message, as everyone who came of age in the '60s knows, is that you can't go home again. Maybe Thompson's own acceptance of that was what compelled him to shoot himself last year.
[Originally published in West Magazine : December 17, 2006, p.13]
| |
|
LuminousLint 
@LuminousLint