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| Many Are Called
     
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Product Details
Hardcover
192 pages
Yale University Press
Published 2004
Book Description
“[New York City subway riders] are members of every race and nation of the earth. They are of all ages, of all temperaments, of all classes, of almost every imaginable occupation.
. . . Each, also, is an individual existence, as matchless as a thumbprint or a snowflake.”
—James Agee, from the introduction
Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print,
Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans.
Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits.
This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York.
Luc Sante, author of Low Life, Evidence, and The Factory of Facts, is Visiting Professor of Writing and the History of Photography at Bard College; Jeff L. Rosenheim, Associate Curator, Department of Photographs, The Metropolitan Museum of Art, is the editor of Unclassified: A Walker Evans Anthology and Walker Evans: Polaroids and was the main contributor to the Metropolitan’s exhibition catalogue Walker Evans (2000). |
Manuel Alvarez Bravo, Henri Cartier-Bresson, and Walker Evans.
Documentary and Anti-Graphic Photographs: A Reconstruction of the 1935 Exhibition at the Julien Levy Gallery in New York.
Alvarez Bravo (Photographer); Henri Cartier-Bresson (Photographer); Walker Evans (Photographer); Daniel Giradin (Essay); & Ian Jeffrey (Essay) |  |
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Many Are Called
Walker Evans (Photographer) |  |
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Walker Evans: Signs
Walker Evans (Photographer); Andrei Codrescu; & J. Paul Getty Museum |  |
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Walker Evans: Cuba
Walker Evans (Photographer); Andrei Codrescu; & Judith Keller (Introduction) |  |
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Incognito: Limited Edition
Walker Evans (Photographer); & Leslie Katz (Compiler) |  |
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Walker Evans: Photographs for the Farm Security Administration, 1935-1938: A Catalog of Photographic Prints Available from the Farm Security Admini
Walker Evans (Photographer); & Library of Congress |  |
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Walker Evans: Florida
Walker Evans (Photographer); & Robert Plunket |  |
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Walker Evans: Polaroids
Walker Evans (Photographer); & Jeff L. Rosenheim |  |
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Documenting America, 1935-1943 (Approaches to American Culture, No 2)
Carl Fleischhauer (Editor); Beverly W. Brannan (Editor); & Lawrence W. Levine (Editor) |  |
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Walker Evans Simple Secrets: Photographs from the Collection of Marian and Benjamin A. Hill
Ellen Fleurov; Marian Hill; & High Museum Of Art |  |
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American Photographers of the Depression: Walker Evans, Dorothea Lange and the FSA Photographers (Photofile)
Charles Hagen |  |
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Walker Evans: American Photographs
Lincoln Kirstein; & Walker Evans (Photographer) |  |
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Perfect Documents: Walker Evans and African Art, 1935
Virginia Lee-Webb; & Virginia-Lee Webb |  |
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Walker Evans (Photofile)
Gilles Mora (Introduction); & Walker Evans (Photographer) |  |
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Walker Evans: A Biography
Belinda Rathbone |  |
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Walker Evans (Phaidon 55 S.)
Luc Sante; & Walker Evans |  |
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Walker’s Way: My Years with Walker Evans
Isabelle Storey (Author) |  |
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The Last Years of Walker Evans: A First-Hand Account
Jerry L. Thompson; & Walker Evans |  |
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Reading American Photographs: Images As History: Mathew Brady to Walker Evans
Alan Trachtenberg |  |
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