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| Walker Evans & Company
[Click on the appropriate flag to buy the book] | Product Details Hardcover 272 pages Museum of Modern Art, New York Published 2002 About the Author Peter Galassi is Chief Curator of the Department of Photography at The Museum of Modern Art, New York. Book Description Walker Evans' radical photography of the 1930s demonstrated that unembellished photographic fact could serve as a highly poetic language. These works expanded the potential of the art of photography and at the same time defined a lasting iconography that recognized advertising, movies, and car culture as central images of modern American identity. Walker Evans & Company focuses on Evans as a central figure in the arts of the 1920s and 30s, and includes works in photography and other mediums that influenced Evans or were influenced by him, or which resonate in a significant way with aspects of his imagery, sensibility, and style. Among the other artists whose work is featured are: Eugene Atget, Mathew Brady, Stuart Davis, Robert Frank, Lee Friedlander, Edward Hopper, Roy Lichtenstein, Ed Ruscha, August Sander, Andy Warhol, and Edward Weston. Published in conjunction with the second of three cycles of millennial exhibitions at The Museum of Modern Art, New York. Featuring: Walker Evans, EugFne Atget, Bernice Abbott, Robert Adams, Diane Arbus, Lewis Baltz, Harry Callahan, William Eggelston, David Goldblatt, Russell Lee, Wright Morris, Joel Sternfeld, Thomas Struth, Paul Strand, August Sander, Matthew Brady, Stuart Davis, Robert Frank, Lee Friedlander, Edward Hopper, Roy Lichtenstein, Ed Ruscha, Andy Warhol and Edward Weston amongst many others. Essay by Peter Galassi. Foreword by Glenn D. Lowry. |
Manuel Alvarez Bravo, Henri Cartier-Bresson, and Walker Evans.
Documentary and Anti-Graphic Photographs: A Reconstruction of the 1935 Exhibition at the Julien Levy Gallery in New York. Alvarez Bravo (Photographer); Henri Cartier-Bresson (Photographer); Walker Evans (Photographer); Daniel Giradin (Essay); & Ian Jeffrey (Essay) |  |
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Many Are Called Walker Evans (Photographer) |  |
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Walker Evans: Signs Walker Evans (Photographer); Andrei Codrescu; & J. Paul Getty Museum |  |
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Walker Evans: Cuba Walker Evans (Photographer); Andrei Codrescu; & Judith Keller (Introduction) |  |
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Incognito: Limited Edition Walker Evans (Photographer); & Leslie Katz (Compiler) |  |
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Walker Evans: Photographs for the Farm Security Administration, 1935-1938: A Catalog of Photographic Prints Available from the Farm Security Admini Walker Evans (Photographer); & Library of Congress |  |
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Walker Evans: Florida Walker Evans (Photographer); & Robert Plunket |  |
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Walker Evans: Polaroids Walker Evans (Photographer); & Jeff L. Rosenheim |  |
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Documenting America, 1935-1943 (Approaches to American Culture, No 2) Carl Fleischhauer (Editor); Beverly W. Brannan (Editor); & Lawrence W. Levine (Editor) |  |
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Walker Evans Simple Secrets: Photographs from the Collection of Marian and Benjamin A. Hill Ellen Fleurov; Marian Hill; & High Museum Of Art |  |
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American Photographers of the Depression: Walker Evans, Dorothea Lange and the FSA Photographers (Photofile) Charles Hagen |  |
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Walker Evans: American Photographs Lincoln Kirstein; & Walker Evans (Photographer) |  |
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Perfect Documents: Walker Evans and African Art, 1935 Virginia Lee-Webb; & Virginia-Lee Webb |  |
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Walker Evans (Photofile) Gilles Mora (Introduction); & Walker Evans (Photographer) |  |
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Walker Evans: A Biography Belinda Rathbone |  |
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Walker Evans (Phaidon 55 S.) Luc Sante; & Walker Evans |  |
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Walker’s Way: My Years with Walker Evans Isabelle Storey (Author) |  |
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The Last Years of Walker Evans: A First-Hand Account Jerry L. Thompson; & Walker Evans |  |
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Reading American Photographs: Images As History: Mathew Brady to Walker Evans Alan Trachtenberg |  |
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