This unsigned, original print was found in Imogen's files. The skewed borders are characteristic of much of her Green Street studio printing, which dates the print between 1947 and 1972. The print is made on double weight paper with Imogen's printing notes written in pencil on the verso. This image is published in Imogen Cunningham: The Modernist Years, Imogen Cunningham: Ideas without End, A Life in Photographs and Imogen Cunningham: Flora. A letter of authenticity from Rondal Partridge, Imogen Cunningham's son, Trustee of the Imogen Cunningham Trust accompanies the print.
