This unsigned, original print was found in Imogen's files. The slightly skewed borders are characteristic of much of her Green Street studio printing in the 60s and 70s. Made on single weight paper, the print has a lovely aged golden tone. On the back of the print are Imogen's printing notes written in pencil. The image is published in Imogen Cunningham: Flora by Richard Lorenz. A letter of authenticity from Rondal Partridge, Imogen Cunningham's son, Trustee of the Imogen Cunningham Trust accompanies the print.