"During the 18 or so years of photographing one of my most often seen subjects, Laura and I developed a sense about images, often thinking over and around each other, setting ideas in motion, and adjusting the images to fit… this one just "happened" one afternoon, on the way from one setup to another, and we both felt the balance. This print remains one of my favorites, thankfully surviving the fire, and has a wider range of technical correctness than most of my bromoils… again, from the 35 mm color negative, printed onto Oriental panchromatic paper and transferred (using the mangle) to Lanaquarelle watercolor paper." (Chuck Kimball, August 2006)