Curatorial description (Accessed: 6 March 2026)
Whatever subject is represented here (a trio of dancers? the Three Graces?), it plays a secondary role to the object itself: a roughly trimmed sheet of photographic printing paper. Ei-Q was trained in both western-style painting and photography. He coined the term photo-dessins (photo-sketches) for improvised prints such as this one, which he exposed in the darkroom, using a light pen, paper cutouts, and loose-mesh fabric. In place of the mechanical precision of the camera, he welcomed accidental effects of action, like those that characterize the mixed-media canvases of Surrealist painters such as Max Ernst and André Masson.
