Metzker wrote: "Discontented with the single, fixed frame image . . . my work has moved into something of the composite, of collected and related moments. . . . I employ methods of combination, repetition and superimposition. Where photography has been primarily a process of selection and extraction, I wish to investigate the possibilities of synthesis."
Ray K. Metzker, [Statement], Aperture, vol. XIII, no. 2 (1967), unp.
