Login
Register
Photographers:
Connections:
Getting around...
Home
Login
Register
Subscribe
Photographers
Photographers
Contents
Connections
Themes
Abstract
Advertising
Aerial
Architecture
Art
Commercial
Documentary
Erotica and nudes
Experimental photography
Fashion
Landscape
Literature
Nature
Photojournalism
Photomontage
Pictorialism
Portrait
Scientific
Spirit photography
Sports and pastimes
Still life
Street
Transportation
Travel
Typologies
Vernacular
War
Images
Fragments
Visual indexes
Virtual exhibits
Photo outlets
Photo outlets
Timelines
1830-1839
1840-1859
1860-1879
1880-1899
1900-1919
1920-1939
1940-1959
1960-1979
1980-1999
2000-2019
Dates
Calendars
References
Techniques
Photo quests
Photo quests
The Stereographs Project
Introduction
Photographers
Locations
Themes
Backlists
FAQs
Copyright
Copyright and fair use
Displaying images
Errors and omissions
Privacy
Contact me
Why luminous lint
Can i help
Terms and conditions
Acknowledgements
Getting around...
Home
Login
Register
Subscribe
Photographers
Photographers
Contents
Connections
Themes
Abstract
Advertising
Aerial
Architecture
Art
Commercial
Documentary
Erotica and nudes
Experimental photography
Fashion
Landscape
Literature
Nature
Photojournalism
Photomontage
Pictorialism
Portrait
Scientific
Spirit photography
Sports and pastimes
Still life
Street
Transportation
Travel
Typologies
Vernacular
War
Images
Fragments
Visual indexes
Virtual exhibits
Photo outlets
Photo outlets
Timelines
1830-1839
1840-1859
1860-1879
1880-1899
1900-1919
1920-1939
1940-1959
1960-1979
1980-1999
2000-2019
Dates
Calendars
References
Techniques
Photo quests
Photo quests
The Stereographs Project
Introduction
Photographers
Locations
Themes
Backlists
FAQs
Copyright
Copyright and fair use
Displaying images
Errors and omissions
Privacy
Contact me
Why luminous lint
Can i help
Terms and conditions
Acknowledgements
Back
|
Home
>
Contents
> Images
LL/50823
Elizabeth Opalenik
n.d.
Margot
Mordancage
Provided by the artist - Elizabeth Opalenik
Comments by Elizabeth Opalenik (May 2013, pers. email to Alan Griffiths)
There is an edge that happens in mordançage when you remove the blacks, it clings to the highlights. It is a Sabatier effect of sorts.
LL/50823
Terms and conditions
•
Copyright
•
Privacy
•
Contact me
Contributors retain copyright over their submissions
In using this website you agree to the Terms and Conditions
© Alan Griffiths - Luminous-Lint 2025
