Biography provided by Focal press
 
Studied photography with Clarence White. First staff photographer for Fortune (1929), specializing in factories and machines. One of the original four staff photographers for LIFE (1933), where she produced the cover for its first 1936 issue, the Fort Peck Dam, Montana. Her photographs were included in Erskine Caldwell's You Have Seen Their Faces (1937), a gritty document of the Depression in the South. First official World War II woman military photographer, providing coverage from the German attack into Russia (1941) to the liberation of Buchenwald (1945). Continued working for LIFE into the 1950s, documenting the world from India during and after Gandhi to the mines of South Africa.
 
(Author: RH)
 
Michael Peres (Editor-in-Chief), 2007, Focal Encyclopedia of Photography, 4th edition, (Focal Press) [ISBN-10: 0240807405, ISBN-13: 978-0240807409] (Used with permission)
 
Wikipedia
 
Margaret Bourke-White (; June 14, 1904 - August 27, 1971) was an American documentary photographer and photojournalist. She was known as an architectural and commercial photographer for the first half of her career, representing corporate clients and highlighting the success of industrial capitalism with black and white images of steel factories and skyscrapers. In 1930, she became the first foreign photographer permitted to take pictures of the Soviet Union. In 1933, NBC commissioned her to create a monumental photo mural about radio for its rotunda at 30 Rockefeller Plaza, then considered the largest photo mural in the world. The success of her corporate commissions led her to work at Fortune magazine in the 1930s. She took the photograph of the construction of Fort Peck Dam that became the cover of the first issue of Life magazine. The second half of her career represents her transition from corporate photography to photojournalism, beginning with her work during the Great Depression documenting the people of the Dust Bowl. Her collaboration with novelist Erskine Caldwell in You Have Seen Their Faces (1937) resulted in seventy-five photos depicting the lives of poor, rural sharecroppers, and was both a commercial success and one of several major documentary works at the time to bring attention to the needs of the Southern United States. She was the first American female war photojournalist, photographed the Nazi occupation of Czechoslovakia, and was with Patton's Third Army in the spring of 1945 when she famously documented the liberation of the Buchenwald concentration camp. In 1949, she was one of the first Americans to bring attention to the injustices of the South African apartheid regime with her unique photographs, and covered the Korean War for Life magazine in the early 1950s.