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| Introduction | |
| 1 | Introduction to scientific photography |
| 2 | Introduction to scientific laboratories |
| Science and photographic processes | |
| 3 | Daguerreotypes: Scientific |
| 4 | Salt prints: Scientific |
| 5 | Albumen prints: Scientific |
| 6 | Stereoviews: Scientific |
| 7 | Gelatin silver prints: Science |
| 8 | Autochromes: Scientific |
| Contemporary examples | |
| 9 | Contemporary scientific imagery |
| Themes | |
| 10 | Anthropology |
| 11 | Nineteenth century botany |
| 12 | Isabel Agnes Cowper: Mathematical models made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum (1872) |
| 13 | Wilhelm Konrad Röntgen: X-rays |
| 14 | Acoustics |
| 15 | Franz Max Osswald: Sound photographs in architectural models, from Franz Max Osswald's applied acoustics laboratory at ETH Zurich (1930-1933) |
| Worlds fairs and international exhibitions | |
| 16 | The relationships between science and the World Fairs and International Exhibitions |
| Field books | |
| 17 | Smithsonian Field Book Project |
| Photographs that include data | |
| 18 | Photographs that include data |
| Photographers | |
| 19 | Berenice Abbott: Science |
| 20 | Rose-Lynn Fisher: Bee |
| Science and religion | |
| 21 | Evolution and the Biblical flood |
| Questioning science | |
| 22 | Joan Fontcuberta: Fabricated sciences and alternative histories |
| Conclusions | |
| 23 | Conclusions to scientific photography |
| Introduction | |
| 1 | Introduction to scientific photography |
| 2 | Introduction to scientific laboratories |
| Science and photographic processes | |
| 3 | Daguerreotypes: Scientific |
| 4 | Salt prints: Scientific |
| 5 | Albumen prints: Scientific |
| 6 | Stereoviews: Scientific |
| 7 | Gelatin silver prints: Science |
| 8 | Autochromes: Scientific |
| Contemporary examples | |
| 9 | Contemporary scientific imagery |
| Themes | |
| 10 | Anthropology |
| 11 | Nineteenth century botany |
| 12 | Isabel Agnes Cowper: Mathematical models made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum (1872) |
| 13 | Wilhelm Konrad Röntgen: X-rays |
| 14 | Acoustics |
| 15 | Franz Max Osswald: Sound photographs in architectural models, from Franz Max Osswald's applied acoustics laboratory at ETH Zurich (1930-1933) |
| Worlds fairs and international exhibitions | |
| 16 | The relationships between science and the World Fairs and International Exhibitions |
| Field books | |
| 17 | Smithsonian Field Book Project |
| Photographs that include data | |
| 18 | Photographs that include data |
| Photographers | |
| 19 | Berenice Abbott: Science |
| 20 | Rose-Lynn Fisher: Bee |
| Science and religion | |
| 21 | Evolution and the Biblical flood |
| Questioning science | |
| 22 | Joan Fontcuberta: Fabricated sciences and alternative histories |
| Conclusions | |
| 23 | Conclusions to scientific photography |
