From the scorched landscapes of the Crimea to the visceral reportage of modern conflict, war photography has always been a site of trauma, propaganda, and witness. Luminous-Lint provides an exhaustive cross-reference of conflict history, documenting how the lens has shaped our understanding of battle.
| Introduction |
| 1 | Introduction to war photography |
| Naval photography |
| 2 | Introduction to naval photography |
| Military acceptance of photography |
| 3 | Ordnance Survey Building, Southampton (1859) |
| 4 | Photography and the British Army |
| Journalists at war |
| 5 | Journalists at war |
| Problematic issues |
| 6 | Photographs of war dead |
| 7 | American Civil War (1861-1865): The dead |
| 8 | John Reekie: Collecting Remains of the Dead |
| 9 | Willoughby Wallace Hooper: The scandal of delaying a firing squad |
| 10 | Prisoners of war |
| 11 | Censorship of war photography |
| 12 | Faking war photographs |
| 13 | Reuse of miltary stereoviews |
| 14 | Humanity in terrible times |
| 15 | The landscapes of war |
| 16 | The civilian impact of War |
| 17 | Issues of interpretation of building structures |
| 18 | Wars and the lack of photographic evidence |
| 19 | Amateur photography and war |
| 20 | Boer War (1899-1902): Fabrications |
| 21 | British Munitions Company Limited - Verdun (1916-1918) |
| 22 | National and ethnic perspectives of war |
| 23 | Veterans |
| 24 | War memorials |
| 25 | Fractured history |
| 26 | War and the destruction of photohistory |
| Rephotographic studies |
| 27 | Rephotographic studies of conflicts and wars |
| The impact of changing technologies |
| 28 | The changing technologies of war photography |
| 29 | Fashion: Accessories: Gas masks |
| 30 | Night vision imagery |
| 31 | Iraq War (2003-2011): Abu Ghraib |
| 32 | William Laven: War Models |
| 33 | Satellite Sentinel and the Enough Project |
| 34 | Yuval Tebol: Land Research Project (2017 or earlier) |
| 35 | Balazs Gardi: Basetrack One-Eight, Afghanistan (2010-2011) |
| Aftermath |
| 36 | David Dare Parker: Agent Orange, Vietnam |
| Thoughts |
| 37 | The aesthetics of conflict |
| 38 | War conclusions |
| Postscript |
| 39 | A postscript to war - Don McCullin |
