| Introduction | |
| 1 | Introduction to art and photography |
| 2 | Photography as an influence on art |
| Artists and photographers | |
| 3 | Artists at work |
| 4 | The encounters between the London Daguerreotypist John Jabez Mayall and the artist John Turner (1847-1849) |
| 5 | John Thomson: A Chinese portrait artist, Hong Kong |
| 6 | Nineteenth century Japanese artists and colourists |
| 7 | Honoré Daumier: Prints and cartoons |
| 8 | Edward Linley Sambourne: Photographs as a source for cartoons and illustrations |
| 9 | How artists have portrayed lanternists, photographers and photography |
| 10 | Photographers and photography in Japan depicted in art |
| Grids | |
| 11 | Using grids to create art |
| Drawing and optical devices | |
| 12 | Drawing and optical devices |
| 13 | Camera lucida: Design and use |
| 14 | The camera lucida |
| 15 | Camera obscura: Design and use |
| 16 | Portable camera obscura |
| Cliché-verre | |
| 17 | Cliché verre |
| Associating photography with the arts | |
| 18 | Cartes de visite: Backs: Graphics that place photography with the arts |
| 19 | Cabinet cards: Backs: Graphics that place photography with the arts |
| Publications that did, or said they did, use daguerreotypes as the basis for their illustrations | |
| 20 | The influence of the daguerreotype upon art |
| 21 | Paris et ses Environs Reproduits par le Daguerrotype, Sous la Direction de M. Ch. Philipon (Paris: Chez Aubert et Cie, 1840) |
| 22 | Noël Marie Paymal Lerebours: Excursions daguerriennes : vues et monuments les plus remarquables du globe (1842) |
| 23 | Adolphe Duperly: Daguerian Excursions in Jamaica (ca 1844) |
| 24 | Bruges, ses Monuments et ses Tableaux, edited by Daveluy (Bruges, Daveluy, 1855) |
| Using photography to copy two dimensional artworks | |
| 25 | Joseph Nicéphore Niépce: Cardinal d'Amboise |
| 26 | Photographing art: Works on paper and canvas |
| 27 | William Sterling: Annals of the Artists of Spain (1848) |
| 28 | Charles Piazzi Smyth: Notice of an Illuminated Vellum Manuscript |
| 29 | Early photographs of American Folk Art from the David A. Schorsch collection |
| Printing works for photographic reproductions | |
| 30 | Louis-Désiré Blanquart-Evrard: reproductions of works of art |
| 31 | Adolphe Braun - A Continental Printing Establishment (1874) |
| Microphotographs of art | |
| 32 | Art and microphotographs |
| Copyright of photographs of artworks | |
| 33 | International Copyright of Photographs - Messrs. Braun and Co. (17 August 1888) |
| 34 | International Copyright of Photographs - Messrs. Braun and Co. (24 August 1888) |
| 35 | International Copyright of Photographs - Judgement - Messrs. Braun and Co. (21 September 1888) |
| Photographic art | |
| 36 | Cartes de visite: Art |
| Photographing sculpture | |
| 37 | Photographing art: Sculpture |
| Use of photography as an aid to art | |
| 38 | Hill & Adamson: Disruption of the Church of Scotland (1843) |
| 39 | Oil paintings by Gustave Courbet based upon photographs |
| 40 | Julien Vallou de Villeneuve: Étude d'après nature, modèle pour Les Baigneuses |
| 41 | Alphonse Marie Mucha: Artist studies - Académies |
| 42 | Académies and the use of artist studies of models to assist artists |
| 43 | Artistic studies of nude women |
| 44 | Eugène Durieu: Artist studies - Académies |
| 45 | Vincenzo Galdi: Artist studies - Académies |
| 46 | Artistic studies of nude men |
| 47 | Jacques de Lalaing: Using photographs to create art |
| 48 | Giraudon's artist: Rural studies |
| 49 | Combining a daguerreotype with a miniature to create a painting (1848) |
| Painting on photographs | |
| 50 | Introduction to painting on photographs |
| Visual connections between art and photography | |
| 51 | Paintings and prints based on photographs or vice versa |
| 52 | Photographs based on known paintings |
| 53 | Painted photographs by known artists |
| 54 | Aestheticism |
| 55 | Thomas Eakins: The Swimming Hole |
| 56 | Edgar Degas: After the Bath |
| 57 | Georg Hendrik Breitner: Using photography as an aid to painting |
| 58 | Photographs that are stylistically similar to paintings |
| 59 | Dora Maar: Photo Report of the Evolution of Guernica (May - June 1937) |
| 60 | Saul Leiter: Painted nudes |
| 61 | Neil Folberg: The French Impressionists |
| 62 | Robert Weingarten: Palettes (2004-2008) |
| Portraiture and art | |
| 63 | The "artistic" portrait |
| 64 | Julia Margaret Cameron (1815-1879): Portraits |
| 65 | Oscar Gustave Rejlander: Two Ways of Life |
| 66 | Mimicing art within Pictorialism |
| Paints in tubes | |
| 67 | Preserving paint in collapsible tubes |
| The connections between photography and landscape art | |
| 68 | Paintings and prints based upon paintings or vice versa - The road to Chailly (Forests of Fontainebleau) |
| 69 | Paintings and prints based upon photographs or vice versa - The Bodmer Oak (Forests of Fontainebleau) |
| Using Autochromes for early colour art photography | |
| 70 | Autochromes: Art |
| Artists of the twentieth century and photography | |
| 71 | Salvador Dali (1904-1989) |
| 72 | Photographers who have taken portrait series on artists |
| Photography as a means of documenting art | |
| 73 | Land art |
| 74 | Conceptual photography |
| 75 | Performance art |
| Looking at art | |
| 76 | Looking at art |
| Exhibitions | |
| 77 | Exhibitions on the relationships between art and photography |
| Conclusions | |
| 78 | Conclusions to art and photography |
| Introduction | |
| 1 | Introduction to art and photography |
| 2 | Photography as an influence on art |
| Artists and photographers | |
| 3 | Artists at work |
| 4 | The encounters between the London Daguerreotypist John Jabez Mayall and the artist John Turner (1847-1849) |
| 5 | John Thomson: A Chinese portrait artist, Hong Kong |
| 6 | Nineteenth century Japanese artists and colourists |
| 7 | Honoré Daumier: Prints and cartoons |
| 8 | Edward Linley Sambourne: Photographs as a source for cartoons and illustrations |
| 9 | How artists have portrayed lanternists, photographers and photography |
| 10 | Photographers and photography in Japan depicted in art |
| Grids | |
| 11 | Using grids to create art |
| Drawing and optical devices | |
| 12 | Drawing and optical devices |
| 13 | Camera lucida: Design and use |
| 14 | The camera lucida |
| 15 | Camera obscura: Design and use |
| 16 | Portable camera obscura |
| Cliché-verre | |
| 17 | Cliché verre |
| Associating photography with the arts | |
| 18 | Cartes de visite: Backs: Graphics that place photography with the arts |
| 19 | Cabinet cards: Backs: Graphics that place photography with the arts |
| Publications that did, or said they did, use daguerreotypes as the basis for their illustrations | |
| 20 | The influence of the daguerreotype upon art |
| 21 | Paris et ses Environs Reproduits par le Daguerrotype, Sous la Direction de M. Ch. Philipon (Paris: Chez Aubert et Cie, 1840) |
| 22 | Noël Marie Paymal Lerebours: Excursions daguerriennes : vues et monuments les plus remarquables du globe (1842) |
| 23 | Adolphe Duperly: Daguerian Excursions in Jamaica (ca 1844) |
| 24 | Bruges, ses Monuments et ses Tableaux, edited by Daveluy (Bruges, Daveluy, 1855) |
| Using photography to copy two dimensional artworks | |
| 25 | Joseph Nicéphore Niépce: Cardinal d'Amboise |
| 26 | Photographing art: Works on paper and canvas |
| 27 | William Sterling: Annals of the Artists of Spain (1848) |
| 28 | Charles Piazzi Smyth: Notice of an Illuminated Vellum Manuscript |
| 29 | Early photographs of American Folk Art from the David A. Schorsch collection |
| Printing works for photographic reproductions | |
| 30 | Louis-Désiré Blanquart-Evrard: reproductions of works of art |
| 31 | Adolphe Braun - A Continental Printing Establishment (1874) |
| Microphotographs of art | |
| 32 | Art and microphotographs |
| Copyright of photographs of artworks | |
| 33 | International Copyright of Photographs - Messrs. Braun and Co. (17 August 1888) |
| 34 | International Copyright of Photographs - Messrs. Braun and Co. (24 August 1888) |
| 35 | International Copyright of Photographs - Judgement - Messrs. Braun and Co. (21 September 1888) |
| Photographic art | |
| 36 | Cartes de visite: Art |
| Photographing sculpture | |
| 37 | Photographing art: Sculpture |
| Use of photography as an aid to art | |
| 38 | Hill & Adamson: Disruption of the Church of Scotland (1843) |
| 39 | Oil paintings by Gustave Courbet based upon photographs |
| 40 | Julien Vallou de Villeneuve: Étude d'après nature, modèle pour Les Baigneuses |
| 41 | Alphonse Marie Mucha: Artist studies - Académies |
| 42 | Académies and the use of artist studies of models to assist artists |
| 43 | Artistic studies of nude women |
| 44 | Eugène Durieu: Artist studies - Académies |
| 45 | Vincenzo Galdi: Artist studies - Académies |
| 46 | Artistic studies of nude men |
| 47 | Jacques de Lalaing: Using photographs to create art |
| 48 | Giraudon's artist: Rural studies |
| 49 | Combining a daguerreotype with a miniature to create a painting (1848) |
| Painting on photographs | |
| 50 | Introduction to painting on photographs |
| Visual connections between art and photography | |
| 51 | Paintings and prints based on photographs or vice versa |
| 52 | Photographs based on known paintings |
| 53 | Painted photographs by known artists |
| 54 | Aestheticism |
| 55 | Thomas Eakins: The Swimming Hole |
| 56 | Edgar Degas: After the Bath |
| 57 | Georg Hendrik Breitner: Using photography as an aid to painting |
| 58 | Photographs that are stylistically similar to paintings |
| 59 | Dora Maar: Photo Report of the Evolution of Guernica (May - June 1937) |
| 60 | Saul Leiter: Painted nudes |
| 61 | Neil Folberg: The French Impressionists |
| 62 | Robert Weingarten: Palettes (2004-2008) |
| Portraiture and art | |
| 63 | The "artistic" portrait |
| 64 | Julia Margaret Cameron (1815-1879): Portraits |
| 65 | Oscar Gustave Rejlander: Two Ways of Life |
| 66 | Mimicing art within Pictorialism |
| Paints in tubes | |
| 67 | Preserving paint in collapsible tubes |
| The connections between photography and landscape art | |
| 68 | Paintings and prints based upon paintings or vice versa - The road to Chailly (Forests of Fontainebleau) |
| 69 | Paintings and prints based upon photographs or vice versa - The Bodmer Oak (Forests of Fontainebleau) |
| Using Autochromes for early colour art photography | |
| 70 | Autochromes: Art |
| Artists of the twentieth century and photography | |
| 71 | Salvador Dali (1904-1989) |
| 72 | Photographers who have taken portrait series on artists |
| Photography as a means of documenting art | |
| 73 | Land art |
| 74 | Conceptual photography |
| 75 | Performance art |
| Looking at art | |
| 76 | Looking at art |
| Exhibitions | |
| 77 | Exhibitions on the relationships between art and photography |
| Conclusions | |
| 78 | Conclusions to art and photography |