| Introduction | |
| 1 | Introduction to fabricated realities |
| 2 | Introduction to backgrounds and foregrounds |
| 3 | Studio backgrounds and foregrounds: Aircraft |
| 4 | Backgrounds: Landscapes |
| 5 | Mimicing art within Pictorialism |
| 6 | Dioramas in Natural History Museums |
| 7 | Landscapes: Fantasy |
| Cartes de visite | |
| 8 | Cartes de visite: Backgrounds and foregrounds |
| Stereoviews | |
| 9 | Stereoviews: Diableries |
| Incongruous backgrounds and inappropriate props | |
| 10 | Backgrounds: Incongruous |
| 11 | Inappropriate studio props |
| Legal implcations | |
| 12 | The Death of Chatterton |
| Breaking the illusion | |
| 13 | The all to visible background |
| Photographers | |
| 14 | Louis Jacques Mandé Daguerre: Dioramas |
| 15 | Bamforth & Co.: The Quarryman's Resolve (1900) |
| 16 | Joan Fontcuberta: Fabricated sciences and alternative histories |
| 17 | John Divola: Zuma |
| 18 | John Divola: Continuity - Film set photographs of bars |
| 19 | Sandy Skoglund: Installations and visions |
| 20 | Laurie Simmons: Fabicated realities and the exploration of gender |
| 21 | Roger Ballen: Shadow Chamber |
| 22 | Julie Blackmon: Domestic Vacations and other series |
| 23 | Thomas Demand: Three dimensional sculptural forms |
| 24 | David Levinthal: Series |
| 25 | Oliver Boberg: Distilled realities |
| 26 | Carl Zimmerman: Cold City |
| 27 | Lori Nix: Accidentally Kansas |
| 28 | Paolo Ventura: Italian fabricated realities |
| 29 | Thomas Allen: Uncovered |
| 30 | Arthur Tress: The Teapot Opera |
| 31 | Sarah Hobbs: Small Problems in Living |
| 32 | Cortis & Sonderegger: Fabricated realities |
| An early case of fraud using models | |
| 33 | Mrs. Gladys Maud Cockburn-Lange and her faked First World War dogfight photographs |
| Conclusions | |
| 34 | Conclusions to fabricated realities |
| Introduction | |
| 1 | Introduction to fabricated realities |
| 2 | Introduction to backgrounds and foregrounds |
| 3 | Studio backgrounds and foregrounds: Aircraft |
| 4 | Backgrounds: Landscapes |
| 5 | Mimicing art within Pictorialism |
| 6 | Dioramas in Natural History Museums |
| 7 | Landscapes: Fantasy |
| Cartes de visite | |
| 8 | Cartes de visite: Backgrounds and foregrounds |
| Stereoviews | |
| 9 | Stereoviews: Diableries |
| Incongruous backgrounds and inappropriate props | |
| 10 | Backgrounds: Incongruous |
| 11 | Inappropriate studio props |
| Legal implcations | |
| 12 | The Death of Chatterton |
| Breaking the illusion | |
| 13 | The all to visible background |
| Photographers | |
| 14 | Louis Jacques Mandé Daguerre: Dioramas |
| 15 | Bamforth & Co.: The Quarryman's Resolve (1900) |
| 16 | Joan Fontcuberta: Fabricated sciences and alternative histories |
| 17 | John Divola: Zuma |
| 18 | John Divola: Continuity - Film set photographs of bars |
| 19 | Sandy Skoglund: Installations and visions |
| 20 | Laurie Simmons: Fabicated realities and the exploration of gender |
| 21 | Roger Ballen: Shadow Chamber |
| 22 | Julie Blackmon: Domestic Vacations and other series |
| 23 | Thomas Demand: Three dimensional sculptural forms |
| 24 | David Levinthal: Series |
| 25 | Oliver Boberg: Distilled realities |
| 26 | Carl Zimmerman: Cold City |
| 27 | Lori Nix: Accidentally Kansas |
| 28 | Paolo Ventura: Italian fabricated realities |
| 29 | Thomas Allen: Uncovered |
| 30 | Arthur Tress: The Teapot Opera |
| 31 | Sarah Hobbs: Small Problems in Living |
| 32 | Cortis & Sonderegger: Fabricated realities |
| An early case of fraud using models | |
| 33 | Mrs. Gladys Maud Cockburn-Lange and her faked First World War dogfight photographs |
| Conclusions | |
| 34 | Conclusions to fabricated realities |