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| Introduction | |
| 1 | Composite and combination prints: Defined |
| 2 | Combination Printing (1870) |
| 3 | C.W. Applegreen creates a composite photograph |
| 4 | Making a composite portrait of a typical criminal (1879) |
| 5 | Composite and combination prints: Portraits |
| Examples | |
| 6 | Gustave Le Gray: Combination prints |
| 7 | George N. Barnard: Rebel Works in front of Atlanta |
| 8 | Camille Silvy: River Scene (1858) |
| 9 | William Notman: Photomontages |
| 10 | Oscar Gustave Rejlander: Two Ways of Life |
| Contemporary criticism | |
| 11 | Contemporary criticism of Mr. Rejlander and Mr. Robinson (1859) |
| Introduction | |
| 1 | Composite and combination prints: Defined |
| 2 | Combination Printing (1870) |
| 3 | C.W. Applegreen creates a composite photograph |
| 4 | Making a composite portrait of a typical criminal (1879) |
| 5 | Composite and combination prints: Portraits |
| Examples | |
| 6 | Gustave Le Gray: Combination prints |
| 7 | George N. Barnard: Rebel Works in front of Atlanta |
| 8 | Camille Silvy: River Scene (1858) |
| 9 | William Notman: Photomontages |
| 10 | Oscar Gustave Rejlander: Two Ways of Life |
| Contemporary criticism | |
| 11 | Contemporary criticism of Mr. Rejlander and Mr. Robinson (1859) |
