| Improving content | |
| 1 | Improving content on Filmmaking and Cinema |
| Film stills | |
| 2 | Film stills |
| Continuity shots | |
| 3 | John Divola: Continuity - Film set photographs of bars |
| Films | |
| 4 | Georges Méliès: Voyage dans la Lune (1902) |
| 5 | Use of a cased photograph in the film "The Birth of a Nation" (1915) |
| 6 | Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920) |
| 7 | Sergei Eisenstein: Strike (1925) |
| 8 | Dziga Vertov:The Man with a Movie Camera (1929) |
| 9 | Fritz Lang: M (1931) |
| 10 | German Expressionism: Vampyr (1932) |
| 11 | Fritz Lang: The Testament of Dr. Mabuse (1933) |
| 12 | Leni Riefenstahl: Triumph of the Will (1935) |
| 13 | Leni Riefenstahl: Day of Freedom (1935) |
| Improving content | |
| 1 | Improving content on Filmmaking and Cinema |
| Film stills | |
| 2 | Film stills |
| Continuity shots | |
| 3 | John Divola: Continuity - Film set photographs of bars |
| Films | |
| 4 | Georges Méliès: Voyage dans la Lune (1902) |
| 5 | Use of a cased photograph in the film "The Birth of a Nation" (1915) |
| 6 | Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920) |
| 7 | Sergei Eisenstein: Strike (1925) |
| 8 | Dziga Vertov:The Man with a Movie Camera (1929) |
| 9 | Fritz Lang: M (1931) |
| 10 | German Expressionism: Vampyr (1932) |
| 11 | Fritz Lang: The Testament of Dr. Mabuse (1933) |
| 12 | Leni Riefenstahl: Triumph of the Will (1935) |
| 13 | Leni Riefenstahl: Day of Freedom (1935) |
