Introduction | |
1 | Introduction to the calotype |
2 | Early paper prints and their confusing terminology |
3 | Paper negatives and paper mills |
Themes | |
4 | Calotypes: Still life |
5 | Calotypes: Portraits |
6 | Calotypes: Exteriors |
7 | Calotypes: Art |
Painted calotypes | |
8 | Painted calotypes |
Photographers | |
9 | Henry Fox Talbot: The Oriel Window, South Gallery, Lacock Abbey |
10 | Henry Fox Talbot: The Pencil of Nature (1844-1846) |
11 | Henry Fox Talbot: Sun Pictures in Scotland (1845) |
12 | Hill & Adamson: Calotypes (1843-1847) |
13 | Hill & Adamson: Disruption of the Church of Scotland (1843) |
14 | Hill & Adamson: A Series of Calotype Views - St. Andrews (1846) |
15 | Hill & Adamson: Newhaven |
16 | William Sterling: Annals of the Artists of Spain (1848) |
17 | Comte Frederic Flacheron: Rome |
18 | Giacomo Caneva: Rome |
19 | Victor Prevost: Paper negatives (ca 1853) |
20 | Julien Vallou de Villeneuve: Negatives |
21 | W. & F. Langenheim: Calotypes and salt prints |
22 | John Shaw Smith: Calotypes |
23 | Félix Teynard: Egypt and Nubia: Negatives |
24 | François Joseph Edouard de Campigneules: Calotypes (ca 1858) |
25 | Édouard Delessert: Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques (1854) |
26 | Richard Banner Oakeley: The Pagoda of Hallibeed (1859) |
27 | Louis-Pierre-Théophile Dubois de Nehaut: Belgian cityscapes |
28 | Louis-Pierre-Théophile Dubois de Nehaut: Portraits |
Compilations | |
29 | Nicolaas Henneman: Talbotypes or Sun Pictures, Taken From The Actual Objects Which They Represent (1847) |
Studios and printing works | |
30 | Nicolaas Henneman: The Reading Establishment - Talbot House |
Blanquart-Evrard process | |
31 | Blanquart-Evrard process prints |
Fading | |
32 | Punch (1847) on fading photographs and fading love |
33 | Photographic Society of London: Fading Committee (1855) |
Introduction | |
1 | Introduction to the calotype |
2 | Early paper prints and their confusing terminology |
3 | Paper negatives and paper mills |
Themes | |
4 | Calotypes: Still life |
5 | Calotypes: Portraits |
6 | Calotypes: Exteriors |
7 | Calotypes: Art |
Painted calotypes | |
8 | Painted calotypes |
Photographers | |
9 | Henry Fox Talbot: The Oriel Window, South Gallery, Lacock Abbey |
10 | Henry Fox Talbot: The Pencil of Nature (1844-1846) |
11 | Henry Fox Talbot: Sun Pictures in Scotland (1845) |
12 | Hill & Adamson: Calotypes (1843-1847) |
13 | Hill & Adamson: Disruption of the Church of Scotland (1843) |
14 | Hill & Adamson: A Series of Calotype Views - St. Andrews (1846) |
15 | Hill & Adamson: Newhaven |
16 | William Sterling: Annals of the Artists of Spain (1848) |
17 | Comte Frederic Flacheron: Rome |
18 | Giacomo Caneva: Rome |
19 | Victor Prevost: Paper negatives (ca 1853) |
20 | Julien Vallou de Villeneuve: Negatives |
21 | W. & F. Langenheim: Calotypes and salt prints |
22 | John Shaw Smith: Calotypes |
23 | Félix Teynard: Egypt and Nubia: Negatives |
24 | François Joseph Edouard de Campigneules: Calotypes (ca 1858) |
25 | Édouard Delessert: Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques (1854) |
26 | Richard Banner Oakeley: The Pagoda of Hallibeed (1859) |
27 | Louis-Pierre-Théophile Dubois de Nehaut: Belgian cityscapes |
28 | Louis-Pierre-Théophile Dubois de Nehaut: Portraits |
Compilations | |
29 | Nicolaas Henneman: Talbotypes or Sun Pictures, Taken From The Actual Objects Which They Represent (1847) |
Studios and printing works | |
30 | Nicolaas Henneman: The Reading Establishment - Talbot House |
Blanquart-Evrard process | |
31 | Blanquart-Evrard process prints |
Fading | |
32 | Punch (1847) on fading photographs and fading love |
33 | Photographic Society of London: Fading Committee (1855) |