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Salt prints


 
LL/25246
 
The earliest paper photographs. Characterized by a matte finish where the image is embedded within the fibers of the paper rather than on top, salt prints offer an organic, historic aesthetic that defined the mid-19th century.

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View the First Paper Prints.

Contents

Introduction
1Early paper prints and their confusing terminology
Examples
2Painted salt prints
3Blanquart-Evrard process prints
4Louis-Désiré Blanquart-Evrard: reproductions of works of art
5Salt prints: Stereo
Photographers
6Henry Fox Talbot: The Pencil of Nature (1844-1846)
7Henry Fox Talbot: Sun Pictures in Scotland (1845)
8Henry Fox Talbot: The Bertoloni Album
9Henry Fox Talbot: Paper negatives, waxed paper negatives, calotypes
10Hill & Adamson: Portraits
11Hill & Adamson: Scottish presbyterians
12Hill & Adamson: Disruption of the Church of Scotland (1843)
13Hill & Adamson: Newhaven
14Hill & Adamson: A Series of Calotype Views - St. Andrews (1846)
15Auguste Salzmann: Jerusalem
16John Beasly Greene: Le Nil (1854)
17John Stewart: Pyrenees (1850s)
18Vicomte Joseph Vigier: Pyrenees
19Edmond Bacot: Christian architecture and cultural heritage in France
20Pompeo Bondini: Italy
21Roger Fenton: Russia (1852)
22George Robinson Fardon: San Francisco Album. Photographs of the Most Beautiful Views and Public Buildings of San Francisco (1856-1857)
23Julien Vallou de Villeneuve: Artist studies - Académies
24Louis-Camille d'Olivier: Nudes
25Exhibition of the Works of Industry of All Nations, 1851 (1852)
Themes
26Salt prints: Backgrounds
27Salt prints: Exteriors
28Salt prints: Portraits
29Salt prints: Occupations and roles
30Salt prints: Military
31Salt prints: Landscapes
32Salt prints: Panoramas
33Salt prints: Scientific
34Salt prints: Still life
35Salt prints: Objects
36Salt prints: Events
Regional
37Salt prints: Germany
The fading of salt prints
38Photographic Society of London: Fading Committee (1855)

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