Explore the historical evolution and visual significance of this theme through the extensive archives of Luminous-Lint. By connecting rare images, scholarly research, and diverse photographic techniques, we provide a comprehensive framework for understanding how these visual narratives have shaped the medium across the 19th and 20th centuries. Dive into our networked database of over 130,000 images to discover the pivotal trends, individual masterpieces, and deep historical connections that define this field.
| Introduction |
| 1 | Introduction to photographically illustrated narratives |
| Types of narratives |
| 2 | Using photographs to illustrate narratives: Mythological |
| 3 | Using photographs to illustrate narratives: Arthurian |
| 4 | Using photographs to illustrate narratives: Historical |
| 5 | Using photographs to illustrate narratives: Shakespearean |
| 6 | Using photographs to illustrate narratives: Dickensian |
| Types of narratives: Christian |
| 7 | Using photographs to illustrate narratives: Christian |
| 8 | Introduction to stereoviews illustrating the Bible |
| 9 | EH: La Bible Illustrée [Series, stereoview tissues] |
| 10 | LL: L'Ancien Testament [Series] |
| 11 | BK: La Vie de Jesus [Series] |
| 12 | BK: L'Evangile Illustre [Series] |
| 13 | Armand Noyer: Vie du Christ (Life of Christ) [Series] |
| 14 | SIP: Bible |
| 15 | Stereoviews: Diableries |
| Photographers |
| 16 | Hill & Adamson: Narrative sequence - In pensive mood (1845) |
| 17 | Henry Peach Robinson: Little Red Riding Hood |
| 18 | C. Eckenrath: Hansel & Gretel |
| 19 | Francis Frith: Illustrations for Henry Wadsworth Longfellow's Hyperion (1865) |
| 20 | Duane Michels: The Spirit Leaves the Body (1968) |
| Fotonovelas |
| 21 | Introduction to Fotonovelas |
| 22 | Maggie Taylor: Almost Alice |