| The appearance of photographic studios | |
| 1 | Photographs of the interiors of photographic shops and studios |
| 2 | Paintings showing backgrounds in use |
| 3 | Illustrations of the interiors of nineteenth century photographic shops and studios |
| 4 | Richard Beard: Jabez Hogg and Mr. Johnson (1843) |
| Darkrooms | |
| 5 | Surviving examples of early darkrooms |
| Backgrounds and foregrounds | |
| 6 | Backgrounds used in nineteenth century photographic studios |
| 7 | C.M. Coolidge: US patent No. 149,724, Processes of Taking Photographic Pictures (1874) |
| Electric light | |
| 8 | Use of electric lighting in studios |
| The process of having a portrait taken | |
| 9 | Portrait factory on Broadway, New York |
| Posing | |
| 10 | The "helping hand", "hidden mother" and "hidden father" portraits |
| 11 | The simulation of snow and ice in portrait studios |
| 12 | Arthur Scheiner: At the Photographer (1890) |
| The appearance of photographic studios | |
| 1 | Photographs of the interiors of photographic shops and studios |
| 2 | Paintings showing backgrounds in use |
| 3 | Illustrations of the interiors of nineteenth century photographic shops and studios |
| 4 | Richard Beard: Jabez Hogg and Mr. Johnson (1843) |
| Darkrooms | |
| 5 | Surviving examples of early darkrooms |
| Backgrounds and foregrounds | |
| 6 | Backgrounds used in nineteenth century photographic studios |
| 7 | C.M. Coolidge: US patent No. 149,724, Processes of Taking Photographic Pictures (1874) |
| Electric light | |
| 8 | Use of electric lighting in studios |
| The process of having a portrait taken | |
| 9 | Portrait factory on Broadway, New York |
| Posing | |
| 10 | The "helping hand", "hidden mother" and "hidden father" portraits |
| 11 | The simulation of snow and ice in portrait studios |
| 12 | Arthur Scheiner: At the Photographer (1890) |
