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Mobile studios


 
LL/8175
 
Not all photographers were confined to the high streets of Victorian cities. For the itinerant operator, the world was the studio. This theme encompasses the restless spirit of the medium—photographers who packed their chemicals, glass plates, and cameras to bring the miracle of photography to remote villages, seaside resorts, and frontier towns.
 
Whether driven by the spirit of adventure or the necessity of finding new customers, these roving image-makers operated outside the brick-and-mortar norms. They were the visual storytellers of the periphery, ensuring that the history of the 19th and early 20th centuries was not recorded solely in the metropolis.

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Follow the Journey
 
Trace the path of the itinerant photographer.

Contents

Introduction
1Introduction to mobile studios
Contemporary accounts
2Avery's Portable Daguerreotype Saloon (1847)
3Contemporary account of itinerant photographers in America (1856)
Photographic vans
4Photographs of photographic vans
5Contemporary sources on photographic vans
6Roger Fenton: The artist's van
Railroad photographic cars
7Railroad photograph cars and studios on trains
8Backmarks for railroad photograph cars
9J.B. Silvis: Photograph car
Studios on barges and boats
10Studios on boats and barges
Tent studios
11Studios in tents
12Carleton E. Watkins (uncertain): #925 Spring Valley Water Works
Beach photographers
13Beach photographers

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