| Introduction | |
| 1 | Introduction to surveillance |
| War | |
| 2 | Second World War (1939-1945): Photography and resistance in lands under Nazi occupation |
| Photographers | |
| 3 | Paul Martin: Street photography |
| 4 | Walker Evans: The subway portraits |
| 5 | Weegee: Infrared photography |
| 6 | Miroslav Tichy: Women |
| 7 | Sophie Calle: The intimacy of human behaviour |
| Aerial photography and reconnaissance | |
| 8 | First World War (1914-1918): Aerial reconnaissance and bombing photography |
| 9 | Second World War (1939-1945): Aerial reconnaissance and bombing photography |
| 10 | Justification for the Iraq War (2003-2011) |
| Satellite surveillance | |
| 11 | Satellite and space station imaging |
| 12 | Satellite Sentinel and the Enough Project |
| 13 | The contemporary street and surveillance |
| Drones | |
| 14 | Drone-borne photography |
| Surveillance monitoring imagery | |
| 15 | Lewis Bush: Shadows of the State (2017 or earlier) |
| 16 | Thomas Ruff: Nacht (Night) |
| Introduction | |
| 1 | Introduction to surveillance |
| War | |
| 2 | Second World War (1939-1945): Photography and resistance in lands under Nazi occupation |
| Photographers | |
| 3 | Paul Martin: Street photography |
| 4 | Walker Evans: The subway portraits |
| 5 | Weegee: Infrared photography |
| 6 | Miroslav Tichy: Women |
| 7 | Sophie Calle: The intimacy of human behaviour |
| Aerial photography and reconnaissance | |
| 8 | First World War (1914-1918): Aerial reconnaissance and bombing photography |
| 9 | Second World War (1939-1945): Aerial reconnaissance and bombing photography |
| 10 | Justification for the Iraq War (2003-2011) |
| Satellite surveillance | |
| 11 | Satellite and space station imaging |
| 12 | Satellite Sentinel and the Enough Project |
| 13 | The contemporary street and surveillance |
| Drones | |
| 14 | Drone-borne photography |
| Surveillance monitoring imagery | |
| 15 | Lewis Bush: Shadows of the State (2017 or earlier) |
| 16 | Thomas Ruff: Nacht (Night) |
