Explore the historical evolution and visual significance of this theme through the extensive archives of Luminous-Lint. By connecting rare images, scholarly research, and diverse photographic techniques, we provide a comprehensive framework for understanding how these visual narratives have shaped the medium across the 19th and 20th centuries. Dive into our networked database of over 130,000 images to discover the pivotal trends, individual masterpieces, and deep historical connections that define this field.
| Introduction |
| 1 | Conceptual photography |
| Questions of identity |
| 2 | Helmar Lerski: Portraits |
| Questions of identity |
| 3 | Claude Cahun: Self portraits |
| 4 | Cindy Sherman: Untitled Film Stills |
| 5 | Samuel Fosso: Self portraits |
| 6 | Lucas Samaras: Unpentant Ego / Photo-transformations |
| 7 | Gillian Wearing: Album (2003) |
| 8 | Nikki S. Lee: Projects |
| 9 | Annu Palakunnathu Matthew: An Indian from India |
| 10 | Sophie Calle: The intimacy of human behaviour |
| Politcs and the message |
| 11 | The relationships between photographs and text |
| Appropriation and originality |
| 12 | Introduction to appropriation |
| 13 | Andy Warhol: Appropriation |
| 14 | Sherrie Levine: Appropriation |
| 15 | Richard Prince: Appropriation |
| 16 | Robert Heinecken: Appropriation |
| 17 | Questioning truth through appropriation |
| Transience |
| 18 | John Divola: Vandalism and Zuma |
| Juxtaposing realities |
| 19 | Martha Rosler: Bringing the War Home |
| 20 | William Laven: War Models |
| 21 | John Divola: Evidence of Aggression - From Continuity |
| Spatial forms |
| 22 | Serge Tousignant: Spatial geometries |
| 23 | John Pfahl: Landscapes |
| Examinations of photohistory |
| 24 | James Welling: Conceptual photography |
| Narratives |
| 25 | Duane Michels: The Spirit Leaves the Body (1968) |
