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| Context to the Forest of Fontainebleau | |
| 1 | Fontainebleau, Barbizon - the relationships between painters and photographers |
| 2 | Fontainebleau from the air |
| 3 | Thomas Seddon on protecting the Forests of Fontainebleau (1850) |
| 4 | Preserving paint in collapsible tubes |
| Similarities between paintings and photographs | |
| 5 | Paintings of the Forests of Fontainebleau |
| 6 | Photographs of the Forests of Fontainebleau |
| Case studies | |
| 7 | Paintings and prints based upon paintings or vice versa - The road to Chailly (Forests of Fontainebleau) |
| 8 | Paintings and prints based upon photographs or vice versa - The Bodmer Oak (Forests of Fontainebleau) |
| Photographers in the Forest of Fontainebleau | |
| 9 | Eugène Cuvelier: France: Forest of Fontainebleau |
| 10 | William Drooke Harrison: France: Forest of Fontainebleau |
| 11 | Gustave Le Gray: France: Forest of Fontainebleau |
| 12 | Constant Alexandre Famin: The Forest of Fontainebleau |
| 13 | L. Delaroche: Forest of Fontainebleau |
| 14 | Eugène Atget: Forest of Fontainebleau |
| 15 | Herb Ascherman: Forest of Fontainebleau (2010-2014) |
