Introduction | |
1 | Introduction to backgrounds and foregrounds |
2 | Manufacturers and painters of studio backgrounds |
Daguerreotypists and painted studio backgrounds | |
3 | Studio painted backgrounds for daguerreotypes |
4 | Antoine Claudet: Backgrounds for daguerreotypes |
5 | Salt prints: Backgrounds |
6 | Ambrotypes: Backgrounds |
7 | Cartes de visite: Backgrounds and foregrounds |
8 | Cabinet cards: Backgrounds and foregrounds |
9 | Tintypes: Backgrounds and foregrounds |
10 | Real Photo Postcards: Backgrounds and foregrounds |
Contemporary accounts | |
11 | Backgrounds |
12 | Studio backgrounds |
13 | How Nineteenth Century Studios used backgrounds |
Examples of studio backgrounds | |
14 | Backgrounds used in nineteenth century photographic studios |
Use of painted external walls as backgrounds | |
15 | William Notman: Use of the painted exterior wall of his Montreal Studio as a background |
Designs for backgrounds | |
16 | Backgrounds - how to paint and arrange them (1859) |
17 | David Knights-Whittome: Photographic backgrounds |
18 | Surviving photographic backgrounds |
Background holders and supports | |
19 | Background holders and supports |
Revolving backgrounds | |
20 | Revolving backgrounds |
Suppliers of backgrounds | |
21 | Advertising for manufacturers and suppliers of backgrounds |
Paintings showing backgrounds in photographic studios | |
22 | Paintings showing backgrounds in use |
Foreground and background themes | |
23 | Backgrounds: Transportation |
24 | Studio backgrounds and foregrounds: Carts |
25 | Studio backgrounds and foregrounds: Cars |
26 | Studio backgrounds and foregrounds: Railways |
27 | Studio backgrounds and foregrounds: Balloons |
28 | Studio backgrounds and foregrounds: Aircraft |
29 | Studio backgrounds and foregrounds: Space Age and missiles |
30 | Studio backgrounds and foregrounds: Boats |
31 | Studio backgrounds and foregrounds: Bars and saloons |
32 | Studio backgrounds and foregrounds: Prisons and prisoners |
33 | Backgrounds: Landscapes |
34 | Water as an element in studio backgrounds and foregrounds |
35 | Patriotic and military backgrounds for portraits during the American Civil War (1861-1865) |
36 | Martinique: Studio portraits |
Foregrounds | |
37 | Introduction to foregrounds |
38 | Foregrounds: Windows |
39 | Mummies and Sphinxes as foreground props |
Incongruous backgrounds | |
40 | Backgrounds: Incongruous |
Visibility | |
41 | The all to visible background |
Street photographers | |
42 | Backgrounds: Street photographers |
Case studies | |
43 | Jean-Philippe Charbonnier: The Biter Bit |
44 | Ann Parker: Itinerant photographers of Guatemala (1970s) |
45 | Philip K. Apagya: Aspirational backgrounds in studio portraiture |
46 | Clarisse d'Arcimoles: Forget Nostalgia - A Little Theatre of Self (2012) |
47 | Martin Parr: Autoportrait |
Patents for backgrounds | |
48 | Patents for photographic backgrounds and foregrounds |
49 | C.M. Coolidge: US patent No. 149,724, Processes of Taking Photographic Pictures (1874) |
Conclusions | |
50 | Conclusions to backgrounds and foregrounds |
Introduction | |
1 | Introduction to backgrounds and foregrounds |
2 | Manufacturers and painters of studio backgrounds |
Daguerreotypists and painted studio backgrounds | |
3 | Studio painted backgrounds for daguerreotypes |
4 | Antoine Claudet: Backgrounds for daguerreotypes |
5 | Salt prints: Backgrounds |
6 | Ambrotypes: Backgrounds |
7 | Cartes de visite: Backgrounds and foregrounds |
8 | Cabinet cards: Backgrounds and foregrounds |
9 | Tintypes: Backgrounds and foregrounds |
10 | Real Photo Postcards: Backgrounds and foregrounds |
Contemporary accounts | |
11 | Backgrounds |
12 | Studio backgrounds |
13 | How Nineteenth Century Studios used backgrounds |
Examples of studio backgrounds | |
14 | Backgrounds used in nineteenth century photographic studios |
Use of painted external walls as backgrounds | |
15 | William Notman: Use of the painted exterior wall of his Montreal Studio as a background |
Designs for backgrounds | |
16 | Backgrounds - how to paint and arrange them (1859) |
17 | David Knights-Whittome: Photographic backgrounds |
18 | Surviving photographic backgrounds |
Background holders and supports | |
19 | Background holders and supports |
Revolving backgrounds | |
20 | Revolving backgrounds |
Suppliers of backgrounds | |
21 | Advertising for manufacturers and suppliers of backgrounds |
Paintings showing backgrounds in photographic studios | |
22 | Paintings showing backgrounds in use |
Foreground and background themes | |
23 | Backgrounds: Transportation |
24 | Studio backgrounds and foregrounds: Carts |
25 | Studio backgrounds and foregrounds: Cars |
26 | Studio backgrounds and foregrounds: Railways |
27 | Studio backgrounds and foregrounds: Balloons |
28 | Studio backgrounds and foregrounds: Aircraft |
29 | Studio backgrounds and foregrounds: Space Age and missiles |
30 | Studio backgrounds and foregrounds: Boats |
31 | Studio backgrounds and foregrounds: Bars and saloons |
32 | Studio backgrounds and foregrounds: Prisons and prisoners |
33 | Backgrounds: Landscapes |
34 | Water as an element in studio backgrounds and foregrounds |
35 | Patriotic and military backgrounds for portraits during the American Civil War (1861-1865) |
36 | Martinique: Studio portraits |
Foregrounds | |
37 | Introduction to foregrounds |
38 | Foregrounds: Windows |
39 | Mummies and Sphinxes as foreground props |
Incongruous backgrounds | |
40 | Backgrounds: Incongruous |
Visibility | |
41 | The all to visible background |
Street photographers | |
42 | Backgrounds: Street photographers |
Case studies | |
43 | Jean-Philippe Charbonnier: The Biter Bit |
44 | Ann Parker: Itinerant photographers of Guatemala (1970s) |
45 | Philip K. Apagya: Aspirational backgrounds in studio portraiture |
46 | Clarisse d'Arcimoles: Forget Nostalgia - A Little Theatre of Self (2012) |
47 | Martin Parr: Autoportrait |
Patents for backgrounds | |
48 | Patents for photographic backgrounds and foregrounds |
49 | C.M. Coolidge: US patent No. 149,724, Processes of Taking Photographic Pictures (1874) |
Conclusions | |
50 | Conclusions to backgrounds and foregrounds |