Introduction | |
1 | Conceptual photography |
Questions of identity | |
2 | Helmar Lerski: Portraits |
Questions of identity | |
3 | Claude Cahun: Self portraits |
4 | Cindy Sherman: Untitled Film Stills |
5 | Samuel Fosso: Self portraits |
6 | Lucas Samaras: Unpentant Ego / Photo-transformations |
7 | Gillian Wearing: Album (2003) |
8 | Nikki S. Lee: Projects |
9 | Annu Palakunnathu Matthew: An Indian from India |
10 | Sophie Calle: The intimacy of human behaviour |
Politcs and the message | |
11 | The relationships between photographs and text |
Appropriation and originality | |
12 | Introduction to appropriation |
13 | Andy Warhol: Appropriation |
14 | Sherrie Levine: Appropriation |
15 | Richard Prince: Appropriation |
16 | Robert Heinecken: Appropriation |
17 | Questioning truth through appropriation |
Juxtaposing realities | |
18 | Martha Rosler: Bringing the War Home |
19 | William Laven: War Models |
20 | John Divola: Evidence of Aggression - From Continuity |
Spatial forms | |
21 | Serge Tousignant: Spatial geometries |
22 | John Pfahl: Landscapes |
Examinations of photohistory | |
23 | James Welling: Conceptual photography |
Narratives | |
24 | Duane Michels: The Spirit Leaves the Body (1968) |
Introduction | |
1 | Conceptual photography |
Questions of identity | |
2 | Helmar Lerski: Portraits |
Questions of identity | |
3 | Claude Cahun: Self portraits |
4 | Cindy Sherman: Untitled Film Stills |
5 | Samuel Fosso: Self portraits |
6 | Lucas Samaras: Unpentant Ego / Photo-transformations |
7 | Gillian Wearing: Album (2003) |
8 | Nikki S. Lee: Projects |
9 | Annu Palakunnathu Matthew: An Indian from India |
10 | Sophie Calle: The intimacy of human behaviour |
Politcs and the message | |
11 | The relationships between photographs and text |
Appropriation and originality | |
12 | Introduction to appropriation |
13 | Andy Warhol: Appropriation |
14 | Sherrie Levine: Appropriation |
15 | Richard Prince: Appropriation |
16 | Robert Heinecken: Appropriation |
17 | Questioning truth through appropriation |
Juxtaposing realities | |
18 | Martha Rosler: Bringing the War Home |
19 | William Laven: War Models |
20 | John Divola: Evidence of Aggression - From Continuity |
Spatial forms | |
21 | Serge Tousignant: Spatial geometries |
22 | John Pfahl: Landscapes |
Examinations of photohistory | |
23 | James Welling: Conceptual photography |
Narratives | |
24 | Duane Michels: The Spirit Leaves the Body (1968) |