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Fontainebleau, Barbizon - the relationships between painters and photographers
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Digital sources, 2010, 4 November, The Forest of Fontainebleu, Google Earth, LL/41168
Claude-Marie Ferrier, 1855-1856, The train station at Fontainebleau, Stereoview, glass, hand-tinted, Private collection of Jan Schimmelman, LL/53361
Claude-Marie Ferrier, 1855-1856, The train station at Fontainebleau, Stereoview, glass, hand-tinted, detail, Private collection of Jan Schimmelman, LL/53362
Gustave Le Gray, 1852 (ca), The Road to Chailly, Forest of Fontainebleau (Pavé de Chailly), Victoria and Albert Museum, LL/41161
Gustave Le Gray, 1856, The Road to Chailly, Fontainebleau, Albumen print, J. Paul Getty Museum, LL/7338
Gustave Le Gray, 1849-1852, [Oak Tree and Rocks, Forest of Fontainebleau], Salted paper print from paper negative, Metropolitan Museum of Art, LL/6306
Gustave Le Gray, 1856 (ca), Tree Study, Forest of Fontainebleau, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40588
Alphonse Jeanrenaud, 1860s (ca), Fontainebleau, National Gallery of Art, LL/41157
Constant Alexandre Famin, 1865-1870, Théophile Chauvel near the Mare aux Fées, Dietmar Siegert Collection / Sammlung Dietmar Siegert, LL/41155
Constant Alexandre Famin, 1874 (ca), En forêt de Fontainebleau, Photographic print, Source requested, LL/41176
Eugène Cuvelier, 1860s (early), Beech Tree near the Bodmer Oak, Private collection, LL/41158
Eugène Cuvelier, 1863 (ca), Mare à Piat, National Gallery of Art, LL/41160
Eugène Cuvelier, 1863, Quarry at the Sands of Macherin, Metropolitan Museum of Art, LL/41162
Eugène Cuvelier, 1860s (early), Farm, Barbizon, Tel Aviv Museum of Art, LL/41163
Eugène Cuvelier, 1860s (early), Untitled (Trees in Forest, France), Albumen print, from paper negative, Lee Gallery, LL/3181
Eugène Cuvelier, 1860s (early), Untitled, Road thru Stone Wall (Neg. 300), Albumen print, from paper negative, Lee Gallery, LL/3183
Eugène Cuvelier, 1860s (early), Le Clos de Barbizon (Neg. 270), Albumen print, from paper negative, Lee Gallery, LL/3185
Eugène Cuvelier, 1850s-1860s, Bornage de Barbizon, Salt print, paper negative, Lee Gallery, LL/21278
Eugène Cuvelier, 1860 (ca), Storm (Fontainebleau forest), Albumen print, from paper negative, Musée d'Orsay, LL/41177
Eugène Cuvelier, 1858 (ca), Près le Bodmer (Close to the Bodmer Oak),, Albumen print, from paper negative, LACMA: Los Angeles County Museum of Art, LL/46460
Eugène Cuvelier, 1860 (ca), Arbres dans la forêt de Fontainebleau, Salt print, from paper negative, Piasa, LL/48144
Eugène Cuvelier, 1863, Chailly, Route de Fontainebleau, Albumen print, Sotheby's - Paris, LL/50897
Paul Delondre, 1861 (ca), Parc Fontainebleau, Albumen print, Bassenge Photography Auctions, LL/32464
Achille Quinet, 1865-1870, Étude d'après nature (chemin), Albumen print, Piasa, LL/48128
J. Rand, 1841, 6 September (British patent enrolled), Rand's Patent for Improvements in Preserving Paint and other Fluids, Patent illustration, Google Books, LL/41174
J. Rand, 1841, 11 September (US patent), John Goffe Rand patent, "Improvement in the Construction of Vessels or Apparatus for Preserving Paint, & c.", 1841 Sept. 11, "Metal Rolls for Paint", Patent illustration, Smithsonian - Archives of American Art, LL/41173
Claude Monet (1840-1926), 1865, Le Pavé de Chailly, Oil painting, Musée d'Orsay, LL/41175
Claude Monet (1840-1926), 1865, The Bodmer Oak, Fontainebleau Forest, Oil painting, Metropolitan Museum of Art, LL/41178
Charles Desavary, 1871-1872 (ca), Camille Corot painting in the open air at Saint-Nicolas-les-Arras (Camille Corot peignant en plein air à Saint-Nicolas-les-Arras), Albumen print, Artcurial, LL/19538
   
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