1853, Hallmark on Daguerreotype plate, Daguerreotype, hallmark, Nederlands Fotomuseum, LL/52963

Bisson frères, 1853, Clement de Jonghe, Printseller, by Rembrandt, Salted paper print, from an albumen on glass negative, Archive Farms, LL/122118

Bisson frères, 1853, Cephalopodes Fossiles et Vivants, Salted paper print, Archive Farms, LL/121088

Bisson frères, 1853, Tête humaine désarticulee. Préparée par Phillippe Pottau, Prép.r du Muséum. (du Cabinet de Mr. A. Devéria. mars 1853) [Dissected human skull], Salted paper print, from wet collodion on glass negative, Universiteitsbibliotheek Utrecht, LL/48898

Le Dien & Le Gray, 1853, Pompeii: Maison du Faune, Salt print, The Hyman Collection, LL/54700

Le Dien & Le Gray, 1853, End of the Tescato Bridge in Trastevere, Rome, Salt print, Nelson-Atkins Museum of Art, LL/81694

Le Dien & Le Gray, 1853, Pompeii: vue des tombeaux, Salt print, Nelson-Atkins Museum of Art, LL/81697

Le Dien & Le Gray, 1853, Amalfi, Cathedral, Salted paper print, from a waxed paper negative, Metropolitan Museum of Art, LL/73864

Le Dien & Le Gray, 1853, Pompeii: maison du Faune ou la Grande mosaique, Salt print, James Hyman Gallery, LL/90109

Southworth & Hawes, 1853, Jonas Chickering, Daguerreotype, National Portrait Gallery, Smithsonian Institution, LL/35011

Southworth & Hawes, 1853, Annie Fields, Daguerreotype, Massachusetts Historical Society, LL/93851

Southworth & Hawes, 1853, Reverend William T. Smithett, Daguerreotype, Museum of Fine Arts, Boston, LL/67467

Meade Brothers Studio, 1853, Henry W. M. Meade with Sarah A. Meserole Meade, Daguerreotype, 1/6 plate, National Portrait Gallery, Smithsonian Institution, LL/80229

A. Dauthage (lithographer), 1853, Andreas von Ettingshausen, Lithograph, Wellcome Collection, LL/53741

Achille and Théodule Devéria, 1853, Achille Devéria, Salt print, with ink, J. Paul Getty Museum, LL/43663

Alois Auer, 1853, Naturselbsdruck, [Nature print], Nature print, Archive Farms, LL/117363

Alphonse De Launay, 1853, Gateway, Toledo, Salt print, Nelson-Atkins Museum of Art, LL/81584

Alphonse Fortier, 1853, Église de Saint Etienne du Mont, Salt print, Bassenge Photography Auctions, LL/59754

Amelia Elizabeth Guppy, 1853, Babylonian Artifacts on Books, Photograph, Harvard Houghton Library, LL/84377

André Adolphe-Eugène Disdéri, 1853, La Maison Carrée, Nimes, France, Photograph, Internet - Original source ill-defined, LL/62166

Anna Atkins (British, 1799-1871) and Anne Dixon (British, 1799-1877), 1853, Cystopteris dentata, British, Cyanotype, J. Paul Getty Museum, LL/98777

Anna Atkins, 1853, Equisetum sylvaticum [collaboration between Anna Atkins and Anne Dixon], [In her book "Cyanotypes of British and Foreign Ferns" (ca. 1860)], Cyanotype, J. Paul Getty Museum, LL/6301

Anna Atkins, 1853, Asplenium chinensis, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41699

Anna Atkins, 1853, Aspidium denticulatum, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41704

Anna Atkins, 1853, Ceylon, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41712

Anna Atkins, 1853, Lastrea rigida, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41711

Anna Atkins, 1853, British Ferns, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41710

Anna Atkins, 1853, Darea cicutaria, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41705

Anna Atkins, 1853, Aspidium, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41709

Anna Atkins, 1853, Athyrium molle, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41708

Anna Atkins, 1853, Asplenium marinum, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41707

Anna Atkins, 1853, Lastrea feonisecii, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41700

Anna Atkins, 1853, Asplenium septentrionale, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41701

Anna Atkins, 1853, Asplenium radicans, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41702

Anna Atkins, 1853, Asplenium ruta muraria, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41706

Anna Atkins, 1853, Cystopteris dentata, [Cyanotypes of British and Foreign Ferns], Cyanotype, Private collection of Jack and Beverly Wilgus, LL/80575

Anna Atkins, 1853, Jamaica, [Cyanotypes of British and Foreign Ferns (1853)], Cyanotype, National Science and Media Museum, LL/41703

Antoine Claudet, 1853, A studio portrait of a seated woman holding a book, Daguerreotype, Private collection of James Catmur, LL/119303

Antoine Claudet, 1853, Self-Portrait with His Son Francis, Daguerreotype, stereo, two 1/6 plates, J. Paul Getty Museum, LL/7497

Auguste Vacquerie, 1853, Victor Hugo, Salt print, paper negative, Pierre Bergé & Associés, LL/37269

Benjamin Brecknell Turner, 1853, Scotch Firs, Hawkhurst, Albumen print, from calotype, Cleveland Museum of Art, LL/40854

Carleton E. Watkins, 1853, Untitled (Mining Town), Daguerreotype, Art Institute of Chicago, LL/114499

Carol Szathmari, 1853, A krími háború {Crimean War], Salt print (?), Internet - Original source ill-defined, LL/79013

Charles Clifford, 1853, Principal Doorway of the Carthusian Monastery, Burgos, Albumen silver print, Metropolitan Museum of Art, LL/25996

Charles Clifford, 1853, Detail of the Facade of the Cathedral, Burgos, Spain, Albumen print, from wet collodion glass plate negative, Private Collection of Robert G. Hill, Toronto, Ont., LL/30608

Charles Clifford, 1853, Latona Fountain in the Gardens of La Granja, Segovia, Albumen silver print, Metropolitan Museum of Art, LL/25995

Charles Clifford, 1853, Burgos Cathedral, Facade, Albumen print, from waxed paper negative, Princeton University Art Museum, LL/44552

Charles Clifford, 1853, The Alcazar from Fuencisla, [Photographic Souvenir of Spain vol. I], Albumen print, The Royal Collection, LL/93183

Charles Clifford, 1853, [Statue of Saint Bruno in the Carthusian Monastery of Our Lady of Miraflores, Burgos], Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/7451

Charles Clifford, 1853, Plaza Oriente and Royal Theatre, Madrid, [Photographic Souvenir of Spain vol. I], Albumen print, The Royal Collection, LL/93197

Charles Clifford, 1853, Facade of San Pablo, Valladolid, Albumen silver print, J. Paul Getty Museum, LL/66482

Charles Clifford, 1853, Catedral de Salamanca, Salt print, from paper negative, Pierre Bergé & Associés, LL/58250

Charles Clifford, 1853, Menores Court, Salamanca, [Photographic Souvenir of Spain vol. I], Salted paper print, The Royal Collection, LL/93149

Charles Clifford, 1853, Segovia, Cathedral, [Photographic Souvenir of Spain vol. I], Albumen print, The Royal Collection, LL/93180

Charles Clifford, 1853, Segovia, Aqueduct, [Photographic Souvenir of Spain vol. I], Albumen print, The Royal Collection, LL/93182

Charles Clifford, 1853, The Church of San Pablo, Valladolid, [Photographic Souvenir of Spain vol. I], Albumen print, The Royal Collection, LL/93187

Charles Clifford, 1853, San Lorenzo de El Escorial Monasterio, Albumen print, from paper negative, Archive Farms, LL/64987

Charles Hugo, 1853, Victor Hugo Writing at His Desk, Daguerreotype, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/39774

Charles Hugo, 1853, Auguste Vacquerie, Salted paper print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/39067

Charles Marville, 1853, Romantic Tree Study, Heidelberg, Salted paper print, calotype negative, CEROS - Jean-Mathieu Martini / Serge Plantureux, LL/41077

Charles Marville, 1853, Detail of Chartres Cathedral main portal, Salt print, from paper negative, Bassenge Photography Auctions, LL/59762

Charles Marville, 1853, Main entrance, portal of St. Wulfran Church, Abbeville, Salt print, from paper negative, Bassenge Photography Auctions, LL/59763

Charles Marville, 1853, The Virtues Crushing the Vices, Strasbourg Cathedral, Salted paper print, National Gallery of Art, LL/92658

Charles Marville, 1853, The Seine from the Pont du Carrousel Looking towards Notre Dame, Salted paper print, from paper negative, National Gallery of Art, LL/92664

Charles Marville, 1853, Maison de la Rue de la Tannerie a Abbeville, Blanquart Evrard process print, Archive Farms, LL/128504

Charles Marville, 1853, View of Mainz from St. Stephan., Salt print (Blanquard-Evrard process) from a paper negative, Bassenge Photography Auctions, LL/123951

Charles Marville, 1853, Uranie, Galerie De L'ecole Des Beaux Arts, A. Paris, Blanquart-Evrard Salt paper print, from a calotype negative, Chiswick Auctions, LL/115694

Charles Marville, 1853, Cathédrale de Strasbourg, Grand Portail, Blanquart-Evrard process print, Archive Farms, LL/114645

Charles Marville, 1853, Barrière ouverte, [Études photographiques, 1 Serie, No 19], Salt print, Villa Grisebach Auktionen GmbH - Berlin, LL/94719

Charles Marville, 1853, Boomstudie, [Études Photographiques, Lille 1853], Photograph, Louis-Désiré Blanquart-Evrard print, Rijksmuseum, LL/48879

Charles Marville, 1853, Carrière, [Études photographiques, 1 Serie, No 15], Salt print, Villa Grisebach Auktionen GmbH - Berlin, LL/94720

Charles Marville, 1853, Clotilde, Eglise de Clotilde, Paris, Salt print, paper negative, Lee Gallery, LL/3249

Charles Marville, 1853, Sceaux, vu des hauteurs d'Aulnay, [Études photographiques, 1 Serie, No 16], Salt print, Villa Grisebach Auktionen GmbH - Berlin, LL/94721

Charles Nègre, 1853, Arles Statues, Saint-Trophime, Arles, Salt print, from paper negative, Pierre Bergé & Associés, LL/58202

Charles Nègre, 1853, Arles Église Saint-Trophime, détail des sculptures, Salt print, from paper negative, Pierre Bergé & Associés, LL/58214

Charles Nègre, 1853, Paris: The Angel of the Resurrection on the Roof of Notre-Dame, Salted paper print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/39101

Charles Nègre, 1853, Pifférari Assis, Italian Street Musicians (in the Courtyard, 21 Quai de Bourbon), Albumen print, Museum of Fine Arts, Houston (MFAH), LL/67052

Charles Nègre, 1853, Portrait d'homme devant une tapisserie, Salt print and waxed paper negative, Villa Grisebach Auktionen GmbH - Berlin, LL/94726

Charles Nègre, 1853, Notre Dame, Paris, Salt print, Nelson-Atkins Museum of Art, LL/81595

Charles Nègre, 1853, Pifferari, Salt print, Nelson-Atkins Museum of Art, LL/81594

Charles Nègre, 1853, Facade of Notre Dame, Paris, Salt print, from calotype negative, Bassenge Photography Auctions, LL/51910

Charles Nègre, 1853, The Vampire (Henri Le Secq at Notre Dame Cathedral, Paris), Salted paper print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/33097

Charles Nègre, 1853, The Barrel Organ Player With Two Children Listening, Print on salted paper after a lost glass negative, Musée d'Orsay, LL/7953

Charles Thurston Thompson, 1853, Venetian Mirror c. 1700 from the Collection of John Webb, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/36307

Charles Thurston Thompson, 1853, Decorative mirror, Albumen print, Archive Farms, LL/64898

Charles-David Winter, 1853, Portrait de Madame Chastelin, Daguerreotype, Musée d'Art Moderne et Contemporain, LL/41181

Circle of the Caffé Greco, 1853, 1547- Caffth Greco circle. Roma, Arch of Titus, bassorilievo, Salt print, from albumen plate negative, Private collection of Marco C. Antonetto, LL/27540

Claude-Marie Ferrier, 1853, Notre Dame de Paris (before spire), Albumen, on glass stereoview, Archive Farms, LL/112408

Comte Frédéric Flachéron, 1853, The Tiber, Rome (Le Tibre à Rome), Paper negative, Artcurial, LL/19505

D.J. Smith, 1853, St. Paul's, Halifax, NS, Daguerreotype, Nova Scotia Museum, LL/129069

Édouard Baldus, 1853, Maison Caree, Nimes [France], Albumen print, Andrew Smith Gallery, LL/2367

Édouard Baldus, 1853, Maison Caree, Nimes, Albumen print, Lee Gallery, LL/3140

Édouard Baldus, 1853, Saint-Honorat, Prés d'Arles, Salt print, from waxed paper negative, Cleveland Museum of Art, LL/40913

Édouard Baldus, 1853, The Pantheon, Paris, Salt print, Bassenge Photography Auctions, LL/59730

Édouard Baldus, 1853, Le Pont du Gard, France, Salt print, lightly albumenized, Bassenge Photography Auctions, LL/56046

Eliphalet Brown, 1853, China Girl. Syeee Head Dress., Engraving, Private collection of Leigh McKinnon, LL/102078

Eugène Constant, 1853, Arch of Titus, Relief of the Triumph of the Roman Legion, Albumen silver print, Museum of Fine Arts, Houston (MFAH), LL/120743

Eugène Constant, 1853, Arch of Titus, Relief of the Triumph of the Roman Legion, Albumen silver print, Museum of Fine Arts, Houston (MFAH), LL/120744

Eugène Constant, 1853, View of the Roman Forum Towards the Capitoline Hill, Looking West, Albumen silver print, Museum of Fine Arts, Houston (MFAH), LL/120745

Eugene Piot, 1853, Florence. Santa Maria del Fiore. Le Dôme. Archte Brunellesco. 1444, [L'Italie Monumentale], Salted paper print, Ecole nationale supérieure des beaux-arts (ENSBA), LL/52717

Eugene Piot, 1853, Florence: Santa Maria del Fiore. Détails du 1er et du 2e ordre. 1296 et 1425, [L'Italie Monumentale], Salted paper print, Ecole nationale supérieure des beaux-arts (ENSBA), LL/52721

Eugene Piot, 1853, Florence. Santa Maria del Fiore. 2me porte du côté sud. Arch-te Arnolfo di Sapo. 1296, [L'Italie Monumentale], Albumen print, Ecole nationale supérieure des beaux-arts (ENSBA), LL/52718

Félix Teynard, 1853, Souâdj, tombeau de Mourâd-Bey, entrée de la mosquée, Salt print, Pierre Bergé & Associés, LL/67599

Félix Teynard, 1853, Le Kaire, mosquée Nâcéryer, Salt print, Pierre Bergé & Associés, LL/67600

Fortune-Joseph Petiot-Groffier, 1853, Chalon sur Saône, Salted paper print, Archive Farms, LL/64844

G. Shepherd, 1853, A Priory, Lyminge, Salted paper print, from calotype negative, Cleveland Museum of Art, LL/70420

Gabriel Tranchard, 1853, Excavations by Victor Place in Khorsabad. The photo shows a huge gate, flanked by two human-headed bulls., Photograph, Creative Commons - Wikipedia, LL/57372

Gabriel Tranchard, 1853, [Excavations by Victor Place in Khorsabad], Photograph, Internet - Original source ill-defined, LL/95819

George H. Johnson, 1853, Untitled, Daguerreotype, Art Institute of Chicago, LL/114498

Gustave Courbet, 1853, The Bathers (Les Baigneuses), Oil painting, Musée Fabre, Montpellier, LL/7947

Gustave Le Gray, 1853, France, Amélie les Baines P.O., Salt print paper negative, Private collection of Marco C. Antonetto, LL/27915

Henri Le Secq, 1853, No. 3 - Neuviller (Alsace), [Premier Cahier de lithophotographie - Published by Goupil & Cie et Gide & Baudry, printed by Lemercier], Photolithograph, Private collection of Olivier Ruffinetto-Delhaise, LL/55133

Henri Le Secq, 1853, Démolitions de Paris, Porte Saint Martin, Salt print, Nelson-Atkins Museum of Art, LL/81656

Henri Le Secq, 1853, No. 5 - Strasbourg, [Premier Cahier de lithophotographie - Published by Goupil & Cie et Gide & Baudry, printed by Lemercier], Photolithograph, Private collection of Olivier Ruffinetto-Delhaise, LL/55135

Henri Le Secq, 1853, No. 6 - Chartres, [Premier Cahier de lithophotographie - Published by Goupil & Cie et Gide & Baudry, printed by Lemercier], Photolithograph, Private collection of Olivier Ruffinetto-Delhaise, LL/55136

Henri Le Secq, 1853, No. 4 - St Loup De Naud, [Premier Cahier de lithophotographie - Published by Goupil & Cie et Gide & Baudry, printed by Lemercier], Photolithograph, Private collection of Olivier Ruffinetto-Delhaise, LL/55134

Henri Le Secq, 1853, Abrissarbeiten an der Place de l'Hôtel de Ville, Photographic print, Musée Carnavalet, LL/40742

Henri Le Secq, 1853, No. 1 - Chartes, [Premier Cahier de lithophotographie - Published by Goupil & Cie et Gide & Baudry, printed by Lemercier], Photolithograph, Private collection of Olivier Ruffinetto-Delhaise, LL/55131

Henri Le Secq, 1853, No. 2 - Beauvais, [Premier Cahier de lithophotographie - Published by Goupil & Cie et Gide & Baudry, printed by Lemercier], Photolithograph, Private collection of Olivier Ruffinetto-Delhaise, LL/55132

Henri Le Secq, 1853, West Portal, Chartres Cathedral, Photolithograph, Archive Farms, LL/114650

Henri-Victor Regnault, 1853, The Ladder, Blanquart-Evrard salt print from waxed paper negative, The Royal Society, LL/59211

Hermann Krone, 1853, [Still life showing the utensils of a washerwoman], Photograph, Internet - Original source ill-defined, LL/61769

Horace Vernet (1789-1863), 1853, Self-portrait, Oil on canvas, Hermitage Museum, LL/93889

Ivan Nostits, 1853, Winter Scenery on the Embankment of the Neva, Albumen print, Hermitage Museum, LL/56526

Ivan Bianchi, 1853, St. Petersburg. Panteleimonovsky Bridge, Albumen print, Archivio Ivan Bianchi, LL/92387

Jacob August Lorent, 1853, Palazzi Giustiniani in Venedig, Albumen print, Private collection of Franz Volker Waller, LL/57749

Jacob August Lorent, 1853, Venezia, Salt print, from calotype, Internet - Original source ill-defined, LL/88238

Jacques Moulin, 1853, Amelie dans l'alcôve, Paris, Albumen print, from collodion glass negative, The Romantic Agony Book & Print Auctions, LL/60161

Jacques Moulin, 1853, A nude, Daguerreotype, stereo, Stereographica - Antique Photographica, LL/55415

James Anderson, 1853, The Arch of Titus, Rome, Albumen print, gold-toned, Bassenge Photography Auctions, LL/56043

James Robertson, 1853, Woman, Constantinople, Turkey, Albumenized salt print, hand-painted, Archive Farms, LL/65023

James Robertson, 1853, [Title to be confirmed], [Photographic Views of Constantinople], Albumen print, mounted, Bonhams - London, LL/55340

James Robertson, 1853, Constantinople (Istanbul). Soldat et son narguilé [Empire Ottoman], Salt paper print, hand-painted, Gros & Delettrez, LL/57245

James Robertson, 1853, Bosphore. Les Eaux-Douces d'Europe [Empire Ottoman], Salt paper print, hand-painted, Gros & Delettrez, LL/57244

James Robertson, 1853, New Kiosk of Sultan Abdul Medjid, with Mosque at Tophanna., Salt print, Bassenge Photography Auctions, LL/115516

Jeremiah Gurney, 1853, The Elisha Cleveland family, Daguerreotype, whole plate, Swann Galleries - New York, LL/35597

John Phillips, 1853, Study of the Moon, Albumen print, The Royal Society, LL/58676

John Dillwyn Llewelyn, 1853, Caswell Bay J. D. Ll., Salt print, National Library of Wales / Llyfrgell Genedlaethol Cymru, LL/47189

John Stewart, 1853, Environs d'Elsaut, Salt print, Nelson-Atkins Museum of Art, LL/81687

John Stewart, 1853, Sauveterre, Salt print, Nelson-Atkins Museum of Art, LL/81688

John Beasly Greene, 1853, Memnon Colossus [Egypt], Salt print, Galerie Johannes Faber, LL/1721

John Beasly Greene, 1853, [Excavations near the Sphinx], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/40409

John H. Fitzgibbon, 1853, Kno-Shr, Kansas Chief, Daguerreotype, Metropolitan Museum of Art, LL/7453

Julien Vallou de Villeneuve, 1853, 'Étude d'après nature, nu n^o1906, modèle pour "Les Baigneuses", Salted paper print, from paper negative, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/50799

Julien Vallou de Villeneuve, 1853, Étude d'après nature, nu n^o1935, modèle pour "Les Baigneuses", Salted paper print, from paper negative, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/50800

Julien Vallou de Villeneuve, 1853, Étude d'après nature, nu n^o1930, modèle pour "Les Baigneuses", Salted paper print, from paper negative, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/50798

Julien Vallou de Villeneuve, 1853, Portrait of Pierre-Francois Beauvallet, Salt print, Nelson-Atkins Museum of Art, LL/81609

Julien Vallou de Villeneuve, 1853, Portrait of Henri Polydor Maubant, Salt print, Nelson-Atkins Museum of Art, LL/81608

Julien Vallou de Villeneuve, 1853, Portrait of Maria Pingaud (Mlle Favart), Salt print, Nelson-Atkins Museum of Art, LL/81607

Julien Vallou de Villeneuve, 1853, Mlle. Favart, Salt print, Nelson-Atkins Museum of Art, LL/80728

Ladislas Chodzkiewicz (Polish), 1853, Fontainebleau: La Cour de Chasse, Salted paper print, George Eastman Museum, LL/57110

Ladislas Xavier Chodzkiewicz (Polish, 1813-1898), 1853, Fontainebleau: La Cour de Chasse, Salted paper print, George Eastman Museum, LL/74539

Leopoldo Alinari, 1853, Firenze. Il Duomo con impalcatura al Campanile (3) (TS Bardi), Dilute albumen print, Private collection of Marco C. Antonetto, LL/28280

Louis Rousseau, 1853, Class of sponges. Iphythion Panicea of the Antilles, Salt print, retouched background, Bazar Nadar / Wouter Lambrechts, LL/122434

Louis-Alphonse Davanne, 1853, Pompéï, Boulangerie, Waxed paper negative, Villa Grisebach Auktionen GmbH - Berlin, LL/94673

Louis-Alphonse Davanne, 1853, Temple of Castor and Pollux, Rome, Salt print, lightly coated, from paper negative, Bassenge Photography Auctions, LL/43699

Louis-Alphonse Davanne, 1853, View of Maschio Angionio Castle, Naples, Salt print, coated, from paper negative, Bassenge Photography Auctions, LL/43698

Louis-Alphonse Davanne, 1853, Rome, Temple of Castor and Pollux [Tempio dei Dioscuri], Albumen print, light, from paper negative, FondoRomano - Archivio Fotografico e Cartografico di Roma, LL/56454

Louis Auguste Bisson, 1853, Fillette accoudée tenant une ombrelle, son chapeau posée sur une chaise, Daguerreotype, in mount, ArtNet, LL/98870

Louis-Désiré Blanquart-Evrard, 1853, La Vierge et l'Enfant Jésus, par Murillo, Salted paper print, J. Paul Getty Museum, LL/105554

Mary Dillwyn, 1853, Some of the singers in Sketty Church 1853 M. D., Salt print, National Library of Wales / Llyfrgell Genedlaethol Cymru, LL/47190

Mary Dillwyn, 1853, Dulcie Eden & Llewelyn Thomas, Salt print, Internet - Original source ill-defined, LL/84936

Olympe Aguado, 1853, Olympe Aguado - Self Portrait, Albumen print, Archive Farms, LL/128302

Olympe Aguado, 1853, Julie Valentine de Contades, Albumen print, Archive Farms, LL/64841

Olympe Aguado, 1853, Maria de Carmen Vidoire Moreno, Salted paper print, Archive Farms, LL/112854

Olympe Aguado, 1853, Studio portrait of the photographer's mother Maria de Carmen Vidoire Moreno (marquise de las Marismas), Salt print, from glass negative, Bassenge Photography Auctions, LL/56033

Olympe Aguado, 1853, Studio portrait of a young woman, Salt print, from glass negative, Bassenge Photography Auctions, LL/56032

Paul Gavarni (French, 1804-1866), 1853, La derniere passion de mon epoux?…voila ce qu'en dit le daguerreotype…, Lithograph, Yale University Art Gallery, LL/88674

Philippos Margaritis, 1853, Bas relief, Salt print, Charles Nes Photography LLC New York - Paris, LL/5881

Platt D. Babbitt, 1853, Untitled (Niagara Falls), Daguerreotype, Art Institute of Chicago, LL/114481

Pompeo Bondini, 1853, Pont de l'aqueduc fournissant les thermes de Caracalla (Arc de Drusus). Via Appia, 1853, Salt paper print, Studios Robespierre, Serge Plantureux, LL/19592

Pompeo Bondini, 1853, View of the Appian Way, Rome, Salt print, Private collection of Marco C. Antonetto, LL/26719

Pompeo Bondini, 1853, Rome, Via Appia, Salt print, matt, FondoRomano - Archivio Fotografico e Cartografico di Roma, LL/56443

Pompeo Bondini, 1853, Tombeau du Boulanger Eurysace Esquilin, Salt paper print, Studios Robespierre, Serge Plantureux, LL/19593

Pompeo Pozzi, 1853, Church, Milan, Albumen print, Charles Nes Photography LLC New York - Paris, LL/5864

Rafferty & Leask, 1853, Daguerreotype Hats, Newspaper, Internet - Original source ill-defined, LL/66822

Raymond de Berenger (Paris 1811-1875), 1853, Les Portes de Sassenage, Salt print, from paper negative, Pierre Bergé & Associés, LL/58187

Robert Charles Ransome, 1853, Sparrowe's House, Salted paper print, Metropolitan Museum of Art, LL/73883

Robert H. Vance, 1853, Untitled (Portsmouth Square, San Francisco), Daguerreotype, stereo, Art Institute of Chicago, LL/114497

S. A. Mitchell (prepared by), 1853, Greece, Map, Creative Commons - Wikipedia, LL/46333

S. A. Mitchell (prepared by), 1853, Southern Italy (Naples, Sicily), Map, Creative Commons - Wikipedia, LL/46332

Samuel Buckle, 1853, Porch of Cathedral, Peterborough, Salted paper print, from a paper negative, J. Paul Getty Museum, LL/78195

Stephen Pearce (1819-1904), 1853, Sir Edward Augustus Inglefield, Painting, National Portrait Gallery - NPG, LL/93557

Thomas Easterly, 1853, Josephine Clofullia [Madame Clofullia, P.T. Barnum's "Bearded Lady of Geneva"], Daguerreotype, Missouri Historical Society, LL/47652

Thomas Easterly, 1853, Lola Montez, profile with black veil, Daguerreotype, Missouri History Museum, LL/82111

Thomas Easterly, 1853, St. Louis Levee, Daguerreotype, Missouri Historical Society, LL/36405

Unidentified artist, 1853, Title page to Treatise on optics by Sir David Brewster (1853), Book illustration, Internet - Original source ill-defined, LL/79215

Unidentified artist, 1853, Brattle Street Church, Boston, Wood engraving, Boston Public Library, Print Department, LL/54547

Unidentified artist, 1853, The Anthony Prizes for the Best Daguerreotypes, Engraving, magazine illustration, Minneapolis Institute of Art - MIA, LL/54489

Unidentified artist, 1853, View of the U. S. Line of Battle Ship, Franklin and the Floating Dock. Basin and Railways at the Navy Yard, Kittery, Maine. Copied from a daguerreotype January 27th, 1853, Engraving, Internet - Original source ill-defined, LL/86869

Unidentified photographer, 1853, Autumn Landscape, Salted paper print, Princeton University Art Museum, LL/44651

Unidentified photographer, 1853, Fredrick's Photographic Temple of Art, New York City, Photograph, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/76969

Unidentified photographer, 1853, Voilier dans le port de Sète, Calotype, Musée Nicéphore Niépce / Museum of Photography, LL/76211

Unidentified photographer, 1853, Laboratoire de chimiste, Tirage sur papier salé d'après négatif sur verre au collodion, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/7041

Unidentified photographer, 1853, Group portraits of costumed members of the artists' society "Stubenvoll", Munich, Salt prints, Bassenge Photography Auctions, LL/67207

Unidentified photographer, 1853, Rue de Bourgogne, Bercy, Daguerreotype, Musée Carnavalet, LL/95830

Unidentified photographer, 1853, John Dillwyn Llewelyn by MD, [Mary Dillwyn Llysdinam Album/41], Salt print, National Library of Wales / Llyfrgell Genedlaethol Cymru, LL/95506

Unidentified photographer, 1853, [Quaker Sisters], Daguerreotype, 1/6 plate, with applied colour, George Eastman Museum, LL/6400

Unidentified photographer, 1853, Mineral Still Life, Albumenized salt print, Archive Farms, LL/64887

Unidentified photographer (French) / Unidentified artist (French), 1853, A toy rabbit with a drum, Stereoview, colour lithograph, Private collection of Paula Fleming, LL/120429

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Cobbler), Daguerreotype, Art Institute of Chicago, LL/114533

Unidentified photographer (USA, 19th century), 1853, Untitled (Lynn News), Daguerreotype, Art Institute of Chicago, LL/114513

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Man with a Top Hat Standing next to a Gravestone), Daguerreotype, Art Institute of Chicago, LL/114488

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of Seated Man), Daguerreotype, Art Institute of Chicago, LL/114477

Vicomte Joseph Vigier, 1853, Pont de Sia Route de Gavarnie St Sauveur, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79821

Vicomte Joseph Vigier, 1853, Saint-Sauveur. Vallée d'Argelès en Face les Ruines de Beaucens, Salt print, from a paper negative, Hans P. Kraus, Jr., Inc., LL/96337

Vicomte Joseph Vigier, 1853, Lestelle. Notre-Dame de Bétharam. (Route d'Argelès à Pau), Salt print, from a paper negative, Hans P. Kraus, Jr., Inc., LL/96341

Vicomte Joseph Vigier, 1853, Vue de la Vallée de Luchon prise de la tour de Castelvieilh, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79822

Vicomte Joseph Vigier, 1853, Blocs dans le chaos, St-Sauveur, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79823

Vicomte Joseph Vigier, 1853, Torrent de la cascade des Demoiselles, Bagnères de Luchon., Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79824

Vicomte Joseph Vigier, 1853, Saint-Sauveur. Route de Pierrefitte à Luz, Salt print, from a paper negative, Hans P. Kraus, Jr., Inc., LL/96340

Vicomte Joseph Vigier, 1853, Cauterets. Vue du lac de Gaube, Salt print, from a paper negative, Hans P. Kraus, Jr., Inc., LL/96339

Vicomte Joseph Vigier, 1853, Bagnthres de Luchon. Pont de l'ardoise pris en revenant de la cascade des Parisiens., Salt print, from paper negative, Hans P. Kraus, Jr., Inc., LL/24894

Vicomte Joseph Vigier, 1853, Saint-Sauveur. Rochers et blocs pris en traversant le chaos., Salt print, from paper negative, Hans P. Kraus, Jr., Inc., LL/24893

Vicomte Joseph Vigier, 1853, St. Saveur Pont de Sia (Route de Gavarnie), Salt print, Nelson-Atkins Museum of Art, LL/81708

Vicomte Joseph Vigier, 1853, Landscape near Saint Sauveur, Salt print, Nelson-Atkins Museum of Art, LL/81709

Vicomte Joseph Vigier, 1853, Saint-Sauveur. La Vallée de Luz Prise du Chemin de Sasis, Salt print, from a paper negative, Hans P. Kraus, Jr., Inc., LL/96338

Vicomte Joseph Vigier, 1853, Saint Sauveur, Salt print, The Hyman Collection, LL/54708

Vicomte Joseph Vigier, 1853, Chaumière en ruine dans le village de Sasis, Salt print, from paper negative, Hans P. Kraus, Jr., Inc., LL/53060

Vicomte Joseph Vigier, 1853, View of the Pyrenees: Rocher de l'homme from the Bridge of Versasque, Salted paper print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/39125

Vicomte Joseph Vigier, 1853, Townhall, Seville, Salted paper print, waxed, from waxed paper negative, Cleveland Museum of Art, LL/40900

Victor Prevost, 1853, Forêt de Compiègne, Paper negative, George Eastman Museum, LL/75188

Victor Prevost, 1853, [illegible] Forêt de Compiègne, Paper negative, George Eastman Museum, LL/70108

Victor Prevost, 1853, Doorway with gothic tracery, Château de Pierrefonds, Paper negative, George Eastman Museum, LL/70104

W.J. Taylor, 1853, Photographic Society of London medal, Medal, The Royal Collection, LL/92946

W.J. Taylor, 1853, Photographic Society of London medal, Medal, The Royal Collection, LL/92945

W.J. Taylor, 1853, Photographic Society of London medal, Medal, The Royal Collection, LL/92944

Wilhelm von Herford, 1853, Maison Carée in Nimes, France, Salt print, from paper negative, Bassenge Photography Auctions, LL/43706

William Johnson (American, born 1823-1880s), 1853, Untitled (Portrait of Three Seated Men Wearing Turbans), Daguerreotype, Art Institute of Chicago, LL/114507

William A. Pumphrey, 1853, 23 - The Minster from the School of Design (S.E.) [York Cathedral, England], Calotype, from waxed paper negative, Private Collection of Robert G. Hill, Toronto, Ont., LL/49827

William A. Pumphrey, 1853, City Walls between Walmgate Bar and the Red Tower - York, Salt print, from calotype negative, Private collection of Alain Masson, LL/50056

William A. Pumphrey, 1853, Walmgate Bar, [Photographic Views of York and its environs], Calotype print, Chiswick Auctions, LL/115705

William A. Pumphrey, 1853, The Minster Transept (The South) [York, England], Salt print, coated, Archive Farms, LL/55321

William Russell Sedgfield, 1853, 'Stonehenge', Albumen print, The Royal Collection, LL/93618

Charles Nègre, 1853 (taken) 1854 (print), [Italian Musicians (Pifferari) at 21 quai Bourbon, Ile Saint-Louis, Paris], Heliogravures, J. Paul Getty Museum, LL/99394

B.N., 1853 (taken) 1854, May (reproduced), The Arch of Titus. From a Photograph taken in 1853., Photograph, tipped-in, Manchester University - John Rylands Library, LL/79349

Henri-Victor Regnault (French, 1810 - 1878), Alphonse-Louis Poitevin (French, 1819 - 1882), 1853 (taken) 1855-1860 (print), Sèvres, The Seine at Meudon, Carbon print, J. Paul Getty Museum, LL/119935

Charles Nègre, 1853 (taken) 1890s (print), Joueur d'orgue de Barbarie, Paris, Collodion paper print from the original calotype negative by Charles Nègre, Bassenge Photography Auctions, LL/25248

Frederick Berger (taken) / Isabel Agnes Cowper (copied), 1853 (taken) 1891 (copied), Cape York Islander, Albumen print, Victoria and Albert Museum, LL/120122

Francis Lockey, 1853 (taken) 1900 (ca, print), Malmesbury Abbey, South Door, Gelatin silver print, from calotype negative, Archive Farms, LL/64862

Rev. Francis Lockey (1796-1869), 1853 (taken) 1900 (print), Malmesbury Abbey, South Door, Gelatin silver print, from original calotype negative, Archive Farms, LL/114694

Charles Nègre, 1853, Blind stamp for "Charles Nègre", Blind stamp, Bazar Nadar / Wouter Lambrechts, LL/99144

William A. Pumphrey, 1853, Blind stamp for " W. Pumphrey, York / Photographic Artist", Blind stamp, Private Collection of Robert G. Hill, Toronto, Ont., LL/49829

Lerebours et Secretan, 1853, Catalogue des Instruments, Catalogue title page, Archive Farms, LL/112144

Robert Hunt (author), 1853, Title page for "A Manual of Photography" (third edition) by Robert Hunt (London: John Joseph Griffin & Co., 1853), Title page, Google Books, LL/34648

Unidentified photographer / artist, 1853, The apparatus for the Daguerreotype, Book illustration, Google Books, LL/34653

Unidentified photographer / artist, 1853, Camera for the collodion process, Book illustration, Google Books, LL/34655

Unidentified photographer / artist, 1853, W.C. "Sonnet to a Daguerreotype", Google Books, LL/39528

Unidentified photographer / artist, 1853, Camera for the collodion process, Book illustration, Google Books, LL/34654

Unidentified photographer / artist, 1853, The apparatus for the Daguerreotype, Book illustration, Google Books, LL/34652

Unidentified photographer / artist, 1853, Brewster stereoscope, Book illustration, Google Books, LL/34656

Unidentified photographer / artist, 1853, [Optical apparatus - unspecified], Book illustration, Google Books, LL/34650

Unidentified photographer / artist, 1853, Title page for "the Photographic Art Journal", Vol.V, 1853 (New York: W.B. Smith), Title page, Google Books, LL/34624

Unidentified photographer / artist, 1853, Illustrated Passports, Magazine page, Google Books, LL/36165

Unidentified photographer / artist, 1853, [A studio arrangement], Book illustration, Google Books, LL/34649

Southworth & Hawes, 1853, Artists' Daguerreotype Rooms, No. 5 1/2 Tremont Row, Boston. Southworth & Hawes, Advert, Google Books, LL/34999

Southworth & Hawes, 1853, Stereoscope Advertisement, pg. 2, Letterpress, Archive Farms, LL/107940

Southworth & Hawes, 1853, Advert for "Southworth & Hawes", Advert, Archive Farms, LL/70999

Southworth & Hawes, 1853, Stereoscope Advertisement, pg. 1, Letterpress, Archive Farms, LL/107939

Southworth & Hawes, 1853, Advert for "Southworth & Hawes", Advert, Archive Farms, LL/71000

Meade Brothers Studio, 1853, Interior View of Meade Brothers' Daguerreotype Gallery, Broadway, New York, Wood engraving on paper, National Portrait Gallery, Smithsonian Institution, LL/97501

Meade Brothers Studio, 1853, Interior View of Meade Brothers' Daguerreotype Gallery, Broadway, New York, Wood engraving on paper, National Portrait Gallery, Smithsonian Institution, LL/97500

Meade Brothers Studio, 1853, Our Daguerrean Galleries - No. 1. The Meade Gallery, New York, Magazine illustration, Internet Archive, LL/55568

Alois Auer, 1853, Title page of Alois Auer "the Polygraphic Apparatus, or, The Different Departments of Art carried on in the Imperial Court and Government Printing-Office in Vienna by Louis Auer" (Vienna: Imperial Court and Government Printing Office, 1853), Title page, Google Books, LL/36174

Antoine Claudet, 1853, The Focimeter, Book illustration, Google Books, LL/34651

Charles Nègre, 1853, Le Joueur d'orgue barbarie [The Organ-Grinder], Oil over salted paper print, from paper negative, Internet - Original source ill-defined, LL/67049

Charles Nègre, 1853, Le Joueur d'orgue barbarie [The Organ-Grinder], Oil and red chalk, on paper, Internet - Original source ill-defined, LL/67048

E.K. Tenison, 1853, Mr. E. K. Tenison, of Kilbonan Castle, exhibited a number of photographs of very large size, representing views in Spain., Book page, Google Books, LL/36082

George K. Warren, 1853, Massachusetts Charitable Mechanic Association Award to G. K. Warren for Daguerreotypes Exhibition of 1853, Bronze medallion, National Museum of American History, Smithsonian Institution, LL/126533

George K. Warren, 1853, Massachusetts Charitable Mechanic Association Award to G. K. Warren for Daguerreotypes Exhibition of 1853, Bronze medallion, National Museum of American History, Smithsonian Institution, LL/126536

George K. Warren, 1853, Massachusetts Charitable Mechanic Association Award to G. K. Warren for Daguerreotypes Exhibition of 1853, Bronze medallion, National Museum of American History, Smithsonian Institution, LL/126535

George K. Warren, 1853, Massachusetts Charitable Mechanic Association Award to G. K. Warren for Daguerreotypes Exhibition of 1853, Bronze medallion, National Museum of American History, Smithsonian Institution, LL/126534

J.A. Whipple, 1853, Advert for "Daguerreotypes Taken on Paper instead of Silver Plates, with all the Beauty and Distinctiveness of Engravings. J. A. Whipple, Patentee", Advert, Archive Farms, LL/70988

J.J. Outley, 1853, Coin stamped with the name of photographer J.J. Outley, Coin, Archives of Modern Conflict OR National Gallery of Canada, LL/9767

J.V.R. Schuyler (Ithaca, NY), 1853, The value of a perfect likeness should not be estimated by dollars and cents., Book page, Google Books, LL/35019

James Robertson, 1853, Now ready, Photographic Views of Constantinople, Advert, Google Books, LL/36099

Louis Jacques Mandé Daguerre, 1853, Daguerre, Magazine page, Google Books, LL/35329

Louis Jacques Mandé Daguerre, 1853, Daguerre, Magazine illustration, from a Daguerreotype, Google Books, LL/35330

Marcus Aurelius Root, 1853, Root's Daguerrean Gallery, Magazine page, Google Books, LL/35209

Marcus Aurelius Root, 1853, Root's Daguerrean Gallery - a poem on death, Magazine page, Google Books, LL/35210

Philip Henry Delamotte, 1853, View from the south gallery of the Crystal Palace, at Sydenham, Woodcut, Archive Farms, LL/65001

Théophile Gautier, 1853, Title page for théophile Gautier "Wanderings in Spain" (London: Ingram, Cooke, and Co., 1853), Title page, Google Books, LL/36087

Théophile Gautier, 1853, Théophile Gautier meets customs officiers at Vittoria in Spain, Book page, Google Books, LL/36089

William A. Pumphrey, 1853, City Walls between Walmgate Bar and the Red Tower - York, Label, Private collection of Alain Masson, LL/50057

William A. Pumphrey, 1853, Label glued to mount "23 - The Minster from the School of Design (S.E.)" [York Cathedral, England], Label, Private Collection of Robert G. Hill, Toronto, Ont., LL/49828